Japanese Books

A short, skinny boy with untidy hair and broken glasses and a scar on his forehead. A tall, gangly red-head with various hand-me-downs from his five older brothers. A bushy-haired girl who is absolutely book-smart, but also sometimes bossy and rash. It amazes me to this day that such a hugely popular book series could star a main cast such as the one I just described. Even more amazingly, we actually care about these characters and all of their adventures.

Harry Potter owes a debt to the great fantasy that came before it, but it never falls into the trap of copying everything that preceded it. Sure, there are the fairly cliched plot devices of a young boy with dead parents who goes on an incredible journey to kill the male antagonist, but others like Hagrid the half-giant, Diagon Alley, Platform 9 3/4, Quidditch, the Invisibility Cloak, and the incredibly touching Mirror of Erised all came straight from Rowling's incredible imagination. There is something marvelous in every chapter of Harry Potter.

The writing in Sorcerer's Stone isn't perfect, and one could argue that it's not even good, but Rowling's sense of humor, and again, her imagination really shine through. Her writing is very accessible but never patronizing, making Harry Potter a perfect choice for young readers, not only to give them a perfect reading choice, but also to spur a possible life-long interest in reading.

One thing I like about the series is that it's not a clear-cut tale about good vs. evil (this is made clear by the last few books in the series). Plenty of important themes are tackled, and all of them with grace--another argument for why young readers should read Harry Potter.

All in all, there is just so much to love about the series. The first book will have you hooked; by the time you reach the third book, you will desperately want to finish up the whole series, even though you know that means about 3,000 more pages of reading. I think that Harry Potter will go down in history as one of the best fantasy series of all time--you can think about that what you will, as not everybody would agree with me on this one. But I can give this whole series a heartfelt recommendation.

Sadly I had seen the first Harry Potter movie before I read the book. For all of those who declared the first book superior I would have to disagree. Granted it is the begining source for all that we come to love about Harry and his friends, Hogwarts and the long driven drama against Voldemort but the story itself pales in comparison to such a brilliantly done movie. However, for those who have somehow avoided the tidal wave of media buzz concerning these books I would recommend that you start from the begining and enjoy this wonderful world one page at a time. Between the prose and film productions you are about to take a grand journey unlike anything available in the fantasy market.

"Harry Potter and the Sorcerer's Stone" Apparently, I am the 5434th person to leave a review. I will try to keep it short.

I am a retired older person and, ten years ago, I bought a copy of the previous edition for myself and my wife and a second copy for my, then, eight-year-old step granddaughter and her eleven-year-old brother. We, each, enjoyed the story tremendously. We have followed the Harry Potter stories through to finishing the seventh book, last year.

This is the easiest and the shortest book of the series. However, the author, J.K. Rowling, introduces the reader to many new sorts of things. The ending of this book is very good and this novel is a complete story.

I have read this story several times and am still happy with it, from beginning to end.

You may hear or see criticisms of the Harry Potter books. You may, also, hear or see many folks who praise the books. Please form your own opinions by reading this book for yourself. At first, Harry will be the character that you get to know the best. As the series continues, you will get to know several characters, very well. None of the characters are perfect people. However, Harry and his friends are people whom you would like as your friends. Finally, Harry and his friends do good things throughout the series of books. That is an important point that some folks have a hard time seeing, but it is there in every book.

I recommend this book, highly.

I got this book on the exact date it said I would and it's exactly what I wanted. Hard cover, brand new. Perfect. :)

If you like card board characters, tired old plot, bad writing, this book is for you. Kids, please, there are so many better books out there. And we wonder why the aliens don't want to meet us.

The third book in the Harry Potter series turns a lurid shade of pale as three very important figures are brought into view. Sirius Black escapes from Askaban quickly becoming the wizarding world's most wanted. His introduction is met with ambiguity from Harry who is equal parts curious, scared and brave. Professor Lupin is the new dark arts teacher who has a fear of full moons and a past as one of Harry's father's former childhood friends. The third figure is actually of collective of wraith like monstrosities known as Dementors. How could you not be chilled by a creature that feeds on a persons fear and can literally suck out your soul with a kiss of death.

Azkaban brought forth all of the fun one can derive from magical misery. The movie did a good job in copying the books mood. Both were thoroughly entertaining.

Well, Harry Potter and the Prisoner of Azkaban is longer than the first two HP books, but not better. I suppose that we have lost a bit of our wonder at Harry's world, but this book seems to be a slight let down from the high levels we enjoyed in the first two books. Nevertheless, we have a totally different start to this book than we had in the previous books.

Rowling continues to feed our curiosities by supplying new and different experiences and new twists and turns in the HP story. With the introduction to Sirius Black, and of dementors, to the main plot, Rowling takes the HP series towards a more mature tone and loses a bit of the whimsey that the first two books had. I thik Rowling does a very good job at telling a very good story while letting Harry start to grow up.

The finale of this book is long and different from the pattern of the first two books. Among other things, we learn of deeper and more powerful magical practices.

I may seem grumpy about some aspects of this book, but I was entranced by the author's abilities to tell a suspense-filled and adventurous tale, fit for adolescents of all ages.

I recommend this book.

J.K. Rowlings never lets her readers down Harry's quest to be happy stays alive in this book. Also, he gets to meet the only family he has left which makes Harry very Happy at the end of this sequel!!!!

I read this book a few years ago, when the the thrill of Harry was in it's prime. I've seen the movie more times than I can count and I must say the movie is excellent but not as good as the book. I've just reread this book and can't beleive all I had forgotten. It's truly a page turner. From the start when Harry spots the Grim to when Mr Weasley warns Harry of Sirius Black's escape and hunt for Harry the reader is hooked. The Maurader's Map is a great addition to the Invisibility Cloak. The first 2 books were good, but you truly don't get into Harry until this book. Ron and Hermione's relationship is beginning to bud. Hermione is truly the goody goody in this installment. There were times I was mad at her with Ron and Harry. Getting the history of Harry's father's friends helped the story advance with background. This book also helps paint the picture of Snape and his hatered for Harry. The introduction of the Patronus is excellent. It's just as amazing in the book and the movie did a great job of reproducing it. All in all, I loved this book and recommend it to everyone who enjoys magic and fantasy reads.

This series is fun for kids and adults. My son and I are reading it together!

Books this long need to be way more interesting or it turns into a slog, I don't care how fast you read. This one really bogged me down. I am not saying it was not a good story, it just needed to be way shorter and keep moving a lot faster.

As a high school student, I first encountered this character in a series made up of five books. At the time, each book was released weeks or even months apart. I was so enamored with the story that I finished each book before the next one was released. But I eagerly anticipated each installment. It was like being hooked on a daytime soap. But mind you, this is no soap opera. This is perhaps the most captivating story I have ever encountered. I am pleased to find this edition contains the whole set in one book. If you are a fan of sword fights that begin with but an intent in the mind of the combatant coming to an end in the deceptively tranquil plains of feudal Japan, look no further. This story reminds you that however perfect the sword is as a tool for killing, the deadliest weapon remains the swordsman and not the sword. Musashi is the ultimate swordsman and his story has all the elements of an engaging epic containing betrayal, honor, struggle, unrequited love, death and much more. The duels of the sword depicted here are like nothing I have ever read or seen or heard about before back then as a high school student and now as an adult. Printing quality and paper quality is excellent as befits a treasure of literature.

Great story!! Full of action and wonderful details so you really feel like you are part of the story. My son who does not like to read cannot help but enjoy this one. Just when he seems a little bored the author has something exciting. A great read for boys or men.

I read this books while I was in the senior high school, approximately twenty years ago, but until now the story is still clinging in my mind and it refused to forget it because this is a best novel I've ever know.Extremely worthy to own it. It seems that Eiji Yoshikawa did a great deal of works to perfecting it.

I read Musashi 15 years ago, and I remember it vividly. It's such a sweeping, wondrous novel, I'm surprised it's not more famous than it is. I became a bit of a Yoshikawa fan from this, and visited his home, preserved as a museum, outside Tokyo. A beautiful serene place. Musashi, in retrospect, was highly inspirational to me as a writer, in terms of pacing, character development, and raw storytelling. I recently bought a copy for a fellow writer, who has samurai themes in his works, and I'm sure I will continue to gift this novel to my friends. Enjoy!

Well written from a more neutral prespective. Easy to follow narative. I have this book on my nightstand and find my self reading it when I really should be sleeping. Great Book

A very carefully researched and written account of the events leading up to and during the Battle of Midway from both sides. Reading this book almost puts one back in time and part of the story. This is an exceptional book to read that has a refreshing new perspective on a great story that by many accounts was a complex set events that is explained in a way that no other book has done.

I, as with many -- perhaps most -- general readers particularly interested in World War II naval history, assumed there wasn't much earth-shatteringly new I could learn about the Battle of Midway. Having read most of the standard narratives, I tackled "Shattered Storm" expecting to simply gain a more detailed picture of the battle from the Japanese point of view. What I got was detailed to be sure, but rather than merely filling in gaps in my understanding, "Shattered Sword" shattered my neat assumptions of the entire campaign. That is exactly what Parshall and Tully intended.

The authors understood that most readers, from the general military history buff like me, to well-educated military historians, had a well-formed idea of what happened preceding, during and after the conflict, why and how it turned out as it did, and its impact on future campaigns -- indeed on the outcome of the Pacific War as a whole. Much of what we knew about Midway, they came to believe, was essentially based on a lie, subsequently perpetuated by lazy scholarship. They felt that the seminal work on Midway from the Japanese perspective, Fuchida's "Midway: The Battle That Doomed Japan" (which I have not read -- yet) was a self-serving attempt to deflect blame, which for a variety of reasons, was ever after accepted at face-value by Western researchers and writers.

I personally believe most "revisionist" history is a close-cousin of UFO exposes and conspiracy theories, little more than whining or axe-grinding. Tully and Parshall avoid this trap. Their argument is that the standard picture of Midway is flawed simply because most writers on the subject simply stuck to the previously written script without doing the obviously difficult work involved in scouring and interpreting the Japanese primary sources. They set about carefully reconstructing the battle from the perspective of what the IJN was in 1942 vs. what the dimming mists of time lead us to think it was.

Approaching "Shattered Sword" felt daunting at first. I'm not a historian or a journalist -- my formal education ended with nursing school. I feared this hefty book might be too dense to wade through, but my fears were unfounded. Tully and Parshall write with a relaxed, easy narrative style, wonderfully free of the cant that so often intimidates general readers. They managed to explain technical details and arcane doctrine in a way that was easy to understand without being patronizing. They did not lose sight of the fact that, under it all, they were telling a story, one where most readers already knew the outcome, and had well-formed ideas of who the "good guys" and "bad guys" were. They managed to keep me riveted, while eliciting a measure of, if not sympathy, then empathy for the other side. They presented the facts to bck up their argument within the context of the narrative, so it flowed smoothly within the framework of their underlying story. In the end, they concisely wrapped up the facts and laid out the reasoning behind the conclusions they drew. They offered up a perspective I had not yet seen, and they articulated some nebulous ideas that had been floating around my understanding of Midway and the Pacific War. The graphics they used to bolster their arguments were clear, pertinent and enlightening.

In summary, I found this book persuasive, clear, well-organized, thoughtful (and thought-provoking), and above all entertaining. While I wouldn't recommend it to a reader with no more than a passing interest in World War II history, or to a reader who doesn't have a basic understanding of the Battle of Midway, I would highly recommend it on so many different levels to anyone with a genuine interest in the history of the war in the Pacific. I would urge those who do select this book to read it with an open mind. Certainly one of the most interesting books on the Pacific war I've yet read. I wish Tully and Parshall would put their collaborative writing/researching skills together again for a fresh look at Midway from the American perspective.

Jonathan Parshall and Anthony Tully have put together a complete revision of the Battle of Midway. Using many Japanese sources we find out the underlying truth of this battle.
I have not read Mitsuo Fuchida's Midway and I cannot comment on his errors or omissions. However, in reading Shattered Sword, I learned a great deal of the mindset of the Imperial Navy of Japan in 1942. It is a fact that Japan's hubris made for the unexplained lack of professionalism in their actions of their offensive on Midway. Yamamoto's battle plan was flawed, he assumed the Americans were mentally beaten at this point in time.
As pointed out in this book and which is widely known even before the writing of Shattered Sword is that the United States had broken the Japanese code. It is fact that they knew the location of the Japanese attack.
However the battle was not won on this fact alone. What Parshall and Tully have done is to examine the points of the Japanese failures and they were many. They sent out their reconnaissance planes much too late to spot American carrier activities. They also made the cardinal sin of sending out all their planes and leaving their carriers unprotected.
At this time the Japanese were in command and were pushing forward to deal the decisive blow. They indeed failed. Japan in fact seemed to think of themselves as infallible. Even in their training exercises they created predictable scenarios in which their school solutions were indeed winners.
In fact Midway never became the ultimate solution. As Midway faded into American victory, the sun was beginning to set on the land of the rising sun.
As Parshall and Tully concluded, in reality even if America did lose Midway, it would have been unlikely that Japan would have prevailed. In conclusion the industrial might of America would have won out. All destroyed carriers and planes would have been replaced. America's fate was indeed to win the war in the Pacific. That was obvious to a real student of history even on December 7, 1941.
Great read, thoroughly researched with great photographs and diagrams. Five Stars, no problem!!

Shattered Sword by Parshall and Tully is simply breathtaking, the most thoroughly researched and lucidly thought out history of an event that I have ever read. Setting out to tell the story of Midway primarily from the Japanese side they have created the new standard of that crucial battle in the dark days of 1942 that shines as an example of scholarly effort without parallel.

First these authors clearly did their homework, and to say that they explore the battle in the utmost would be an understatement. Setting the stage for the battle with germane explanations of the geopolitical, then strategic, and then operational backdrops that led up to 4-5 June 1942 the authors then delve into the battle wielding an awesome array of salient information ranging from the psychological makeup of the senior Japanese commanders on the scene, to Japanese naval doctrine of the time, to the naval architecture of the four Japanese flat tops, to how many bomb carts each carrier had (and are thus able to derive such details as the quickest possible practical TIME, down to the minute, it could have taken to re-arm waiting dive bombers and torpedo planes in the hangar bay) to even the names of individual Japanese pilots in the CAP and when they were launched. What emerges is a picture of the battle in toto, grounded in a thorough understanding of the pacific campaign and the entire war itself, aided by a completely fresh and unbiased look (which subsequently shatters many myths about the battle) and delivers not just the most accurate picture of what happened and why during the fighting, but also what it meant in the larger scheme of how the rest of the war was fought and ultimately won (or lost by the Japanese). This is truly the stuff history is supposed to be about.

What is better yet is that the book, in a surprising cut against the grain for pieces written by more than one author, reads both like an erudite intellectual analysis and Tom Clancy-esque action thriller. Throughout the book you are taken from the strategic and coolly logical minds of senior commanders, to white knuckle seventy degree dives in the cockpits of cascading American SBD's flying through walls of flak and marauding Japanese zeros. Later you are privy to the acts of desperate survival of Japanese engineers sweating in the asphyxiating air of the engine rooms in their carriers as the ceilings above them start literally glowing red from the heat of uncontrollable fires ravaging above and blocking their only route of possible escape.

After setting the stage of the history of the Japanese naval war in the Pacific up until the time of the battle and explaining the strategies, doctrines, and technical features (i.e. carrier air wing make up, command organizations, etc.) of both the American and Japanese navies the authors place you onboard the ships of the Kido Butai for a minute by minute account. This in depth and detailed account takes you from the moment they sortie from Hashirajima bay to their ignominous retreat mere weeks later. The writing is crisp, fast paced, and clear, conveying information, tension, emotion, and action all at the same time without compromising any of those features. Told primarily from the Japanese side it is taut and disciplined, delivering information to the readers as it came in real time to Nagumo and the staff of the Kido Butai on the cramped bridge of the Akagi and under fire, instead of giving the reader a truly "God's Eye View" of the battle. There is just enough delving into the worlds and actions of Nimitz in Pearl Harbor, Flether onboard the Yorktown, Spruance onboard the Enterprise, and several other American forces to give appropriate context and understanding, but the reader is basically experiencing what the Japanese commanders were going through. This allows the reader to truly appreciate the Clausewitzian "friction" that plagues any battle, and to understand the decisions the commanders made at the time. After the fact everything is tied together by the authors to deliver a true picture of exactly what happened each minute of the battle. The scope of the battle and the author's telling of it is enormous, covering not just the more familiar strike on Midway istelf and ensuring carrier duel, but the ordeal of survivors from each carrier as they attempted, futilely, to save their ships then abandoned them, to the harried Japanese retreat and the less familiar American attacks on the Mogami and Mikuma which ultimately led to the latter's destruction.

The book sets the record straight on many things, of which I cannot mention all. When the American dauntlesses rained down upon the Japanese carriers at 1020 however it is clear that their decks were NOT full of a strike package just moments from launching to crush TF 17, this was a myth that was propagated by Mitsuo Fuchida after the war's end for self serving purposes as well as dramatic flair. VT-8's heroic and fatally doomed torpedo attack did not draw down the Japanese CAP, instead it was just one of a series of hurried and poorly organized American attacks that virtuously threw the Japanese into confusion and left them reacting to conditions rather than shaping them. The Americans were not so outmatched as is commonly believed, but still won a glorious victory ableit against a deeply flawed plan developed by the actually bullying and overbearing Yamamoto (who was restricted from leaving Kure Naval Harbor while in Japan to visit Naval General HQ in Tokyo on fear that other resentful officers there would literally kill him.)

The lessons the authors draw from this battle are applicable even today. The Japanese primarily lost the battle, and the entire war for that matter (although for the entire war the relative industrial might of the US played a far more important role than it obviously could have in this single, early on confrontation), due to an operational rigidity born of national culture and character. This rigidity left it unable to correctly learn lessons from its past operations, anticipate future operations as well as enemy capabilities and reactions to such, and, most critically, to adapt to real world circumstances when their overly elaborate plans inevitably began to unravel against determined and unpredicted enemy actions. (The Japanese expected to face a cowed, fearful, and largely reactionary and passive US Navy at Midway, and not the aggressive and ably commanded force that Nimitz actually sortied to meet them and that guided itself on the flexible principle of calculated risk rather than dogmatic devotion to operational planning.)

I simply can not say enough good about this book. It is useful to anyone with an interest in history as an example of the heights that that discipline can reach and the edifying fruits it can bear when practiced properly, to those in the military who seek a better understanding of how war actually is fought and can be fought best, to someone who wants to read about a real world battle written with the excitement and drama of a great fiction author.

HIGHLY RECOMMENDED!!

When most people think of Yu-Gi-Oh, they think of the children's cartoon series. They see weirdo characters battling with monsters sported from the trading card that's all the rage among children and a select few teenagers. They wouldn't begin to suspect seeing the iconic Yami Yuugi (whom those have normally seen trying to rescue his grandpa or just generically "saving the world" time and time again) making a life-threatening bet with an escaped convict, whom ends up incinerating himself with his own cigarette--or driving other corrupted delinquents to madness while twisting their own distorted flaws to ironic pain and suffering.

No, this isn't something made for kids, and perhaps not even suitable for someone under thirteen. If I am not mistaken, this particular volume shows implications of murder, domestic violence, death, corporate misdemeanor, attempted rape, among other suggestive material that would have parents of children who watch the American adaptation of Yu-Gi-Oh confused beyond all doubt.

The story begins with Yuugi Mutou, an self-doubting high-school freshman who usually finds himself alone in a corner playing games. Being unpopular and subject-able to teasing and peer harassment, Yuugi wishes more than anything to have friends whom he can cherish and relate to. In possession of the Millennium Puzzle, a cursed relic that when put together, can grant its holder one wish, Yuugi is determined to assemble it in order to make his wish come true. What he doesn't realize, however, is the fact that the puzzle contains the soul of a three thousand year blood-thirsty gambler, whom later possesses Yuugi once he completes it. With that, every person who assaults or threatens Yuugi, later finds himself competing with the ancient spirit in a duel that usually results with death, injury or insanity.

Despite this however, the story within this graphic novel series conveys themes of friendship, loyalty and trust. Through Yuugi's pain, he finds connections with some of the most unlikely people, including Jounouchi Katsuya, a former offender whom Yuugi defended from a greater common enemy, Honda Hiroto, who defended by Yuugi from an inflexible and dogmatic instructor, and Mazaki Anzu--his childhood friend whom he rescued from a hostage crisis in a fast-food restaurant.

This particular graphic novel is packed with seven suspenseful teen-based stories, each one with distorted outcomes that will have your mind spinning yet begging for more. Among the shonen-genre, this is among perhaps one of the more over-rated franchises--but is still very, very good and well told.

Among manga readers, this one is a good buy, though I find it silly if you already have the paperback. Unless you are dying for a better chance at preserving your comics and wishing to see the first five pages in color--than what the heck, go nuts!

I bet there is a few people who are thinking about buying this for a younger relitive, thinking it's like the 4kids anime....you better back away unless you want your 7-10 year old pulling the perverted prank "panty tank". Yu-Gi-Oh! was originally intended for teens until 4kids messed it up so if your looking for some Yu-Gi-Oh! for your kids try "the pyrimid of light" ani-manga (its colored and has the same dialoge as the movie its self)

The first 7 volumes of the manga is pretty much what happened in the series that wasn't shown in the US. I recommend this to manga readers 11+ but be warned, there is violence and a lot of swears in this manga. I am 13 years old

Many American children, especially those in the 7-12 age bracket, watch Yu-Gi-Oh regularly. Kids love the action and strategy. Parents love the 'appropriate' factor. Teens, however, hate the kiddiness, and anime purists abhor the editing.

Guess what? It's a lucky day for teens and anime fans.

Threats, fist-fights, and disturbing games (with disturbing conclusions) run rampant in this first volume of Yu-Gi-Oh, and although most people will love it, parents need to be warned--this is not for children under the age of 12.

Also, you won't find the card game 'Duel Monsters' anywhere in this first volume--in fact, it doesn't become the main part of the story until later on in the Yu-Gi-Oh anthology. Instead, however, you'll find out the origins of Yugi and his friends (with their original, un-Americanized names). And while all of this was originally created for a Japanese TV show, when 4Kids brought YGO over to the US, they skipped over the first few story arcs, and got right to the card battles.

Also, it's important to note that as this is a manga (Japanese comics, for the uninitiated) graphic novel, it reads from right to left, in traditional Japanese fashion. Of course, this means that you read the panels and text bubbles from right side to left side, but the translated text is written from left to right. It's ok if you don't understand--VIZ (the publishing company) provides a key in the graphic novel to help you learn how to read it. After 30 or 40 pages, reading like this will become second nature, so don't fret about that.

VIZ translates the sound effects, which is nice. The artwork is very nice (though not amazing), consistent, and easy to look at. The translation is very well done, with footnotes explaining any Japanese pop-culture references you might miss.

Overall, I'd highly reccomend it--to anyone over 12, and especially to older Yu-Gi-Oh fans who want to see a little bit darker take on the story.

Try, for a moment, to put aside all you think you know about Yu-Gi-Oh! and imagine something completely unexpected. Forget about the children's TV series. Don't give the card games another thought. And try to get past the tons of merchandise featuring Yugi's image. Let's begin to reconceptualize the character of Yugi.

That is, essentially, all that is needed in order to more fully enjoy Kazuki Tanahashi's creation, Yu-Gi-Oh! In the Manga, Yugi isn't the tough-talking little Goth boy you might expect. Instead, Yugi seems to be the polar opposite of this characterization - and deliberately so. A comparatively small teen with awkwardly-proportioned hands and feet, the slightly-effeminate Yugi struggles daily with schoolyard bullies, cruel adults, and even the doldrums which epitomize teenage life. While everything seems stacked against him from the get-go, Yugi finds himself optimistic, enjoying life whereas other similarly-affected kids would be beaten down by these oppressive forces.

And this is because he has a mind which is constantly stimulated by the games his grandfather provides him with. You see, Yugi loves puzzles more than anything, and can make a game out of anything. This is the quality that both alienates him from his peers, and gives him limitless courage to face each trial of the schoolyard. In this sense, there's some degree of all of us - after all, who doesn't love a good game? Who among us hasn't daydreamed about getting lost in some fancy labyrinth, or of solving a particularly challenging mind game?

As a result of his passion for puzzles, Yugi becomes someone different from time to time - a personality over which he has no conscious recollection or knowledge. This Yugi is a sadist, one who has no qualms over hurting those who tread upon the weak as a means of poetic justice. This Yugi plays games of a different sort, ones which torture the players unfortunate enough to lose ("Penalty Games," dished out to those who seemingly deserve such extreme punishments - blindness, insanity, death by fire, etc.), but only those who have manipulated others and exploited their helplessness. This Yugi later becomes known as "Yama Yugi" (or, "Dark Yugi").

In creating this series, creator Mr. Tanahashi explains that he had no concept of how popular his little character would become in the marketplace and in the media. Having met with no prior success, Mr. Tanahashi had no way of anticipating what would become of his little "strange story... that centered around 'The Mysterious' in everyday life." The first appearance of the ubiquitous card game based on the Manga does not even make an appearance in this first volume (a 7-issue series which spins off into Yu-Gi-Oh! Duelist and nearly concurrently, Yu-Gi-Oh! Millennium World, and today's hot property Yu-Gi-Oh! GX).

While this book is - as one might expect - very popular with the kids, it certainly isn't the average American-written "kids' book." Inside these pages are tales of abuse, murder, torture... and, sometimes, even some bawdy humour ("Never play basketball in a skirt," says Anzu, the book's female protagnist). Certainly, it is filled with goofy stories light on the plot and occasionally, heavy on the characterizations - so it's a nice, light read. It's a children's title by way of Suzuki Koji, much the same way Hayao Miyazaki's My Neighbor Totoro was almost a grown-up movie disguised as kids' fare.

Yu-Gi-Oh! is a fun ride, packed with calculated fear and excitement, and endowed heavily with humanizing imagery (especially poignant is the image of Yugi reaching into a box, having nearly completed the 3-D puzzle he had kept with him for eight years, his clumsy hand searching for the final puzzle piece... only to discover it was missing, for all his pains. After watching him get beaten and extorted by a much larger classmate, knowing that the puzzle was what gave poor Yugi the most enjoyment out of life... This painful little scene is almost too much for dry eyes to absorb). It may not be the best of the genre, but it does deserve the attention it has received.

It also deserves a little more respect as well, but with marketing ever the ceaseless beast, this probably isn't too likely.

Wonderful Flash Cards! A lot easier than one of those "complete books" of Kanji, at least for my purposes. My class just started doing Kanji we do about 15 per lesson. So i just grab the ones I am doing that week and stick them in my binder. They are very helpful nice big pictures, they are sturdy and don't bend to easy. The stroke order is a must for your Kanji as well, which some books have and some don't. Also you get some nice vocabulary. I would recommend these to any Japanese Student. I have used them plenty!

On the White Rabbit Kana cards, they provide nifty mneumonics for each of the symbols. (These are memory devices to help you remember the symbol). While the features of the Kanji cards are nice, mneumonics would have *really* been useful. If the Tuttle--or any other brand--have mneumonics, I suggest you give them a look. The mneumonics on the White Rabbit Kana cards had a *significant* impact on my ability to memorize them.

To compensate, I have Tuttle's "Remembering the Japanese Characters" (or something like that--I may have misremembered the title), which I strongly recommend. For each character they provide a breif historical analysis and mneumonic. I use Tuttle's book to learn the symbols and the cards to practice. The only headache is that the book and the cards are not in the same order--White Rabbit uses the JPT ordering while Tuttle uses the ordering taught in Japanese elementary school--so I have to order the cards myself.

Still a good product and I'm happy with it.

Complete, perfect. The cards are great, very easy to use. You will see how easy they are when you take them with you all the day long. Waiting at the post office, at the supermarket, at the bank, everywhere will be the right moment to study!
The only thing I didn't like so much is that sometimes you can find compounds that are really *weird* and maybe also Japanese people don't know them :D

I have used many different books, websites, and cards in my quest to learn Kanji, and this set of cards are by far the best I have come across. The cards themselves are very well made, with a plastic coating that has so far proven impervious to wear and tear.

This set has all of the Kanji required for the 4th and 3rd levels of the JLPT (Japanese Language Proficiency Test.) In addition to the basic character and it's readings, each card lists several different vocabulary combinations. These include words needed for the lower levels of the JLPT, as well as more complex formulations that will be seen on the 1st or 2nd level of the test. They also list words and phrases that may not appear on the JLPT, but that are useful to know.

While nothing can take the place of a Japanese class or at least a textbook, these Kanji cards are an excellent way to improve you reading and writing skills and expand your vocabulary.

I am very satisfied with these cards- they are of a decent cardstock and as such, have been pretty sturdy. They really are exceptional. A good number of the cards have mnemonics on them, which is great to help you remember the core meaning of the kanji. There is a lot of good information on these cards, so they will be helpful regardless of your stage of learning. My only complaint would be regarding the mnemonic pictures- I wish ALL of the cards had them! A good number of them do though, and sometimes a kanji needs to be learned just as they are, I suppose. Otherwise, I would say these are great, portable and sturdy flashcards that will help you learn regardless of where you are in your Japanese language journey!

This is a true story of a missionary just before WWII. Her experiences as a prisoner of the Japanese will not depress you as much as uplift you and show you how God can work in us when we let Him. Highly recommended!

This is an amazing book and a brilliant testimony to the faithfulness of God during unimaginable times. My own faith is stronger for reading Darlene Rose's book and I'm thankful for it.

Evidence Not Seen by Darlene Deibler Rose is a beautiful story of a missionary wife who gave her life to God and through her trust witnessed His work in her life and the lives of those around her. She sacrificed her comfort to reach out to others and glorify God, and was blessed for it innumerably. Darlene's courage is challenging, encouraging, and inspiring.

Evidence Not Seen is one of those books that make you just go wow! This is a must read for any Christian especially with so much made for TV christianity going around. This book is about the real thing. Darlene shares with us her experiences as she and other missionaries try to survive in a Japanese prison camp. She shares her close personal relationship with God and how He is there in her times of trouble and need. When you finish this book you will know that she serves and Awesome God and so can you!

What amazing faith in God this young
woman had. I could only hope to be that brave and strong.

I really enjoyed this book, the story is the classical tragic love story, but set up in Japan, and written through a Japanese point of view. So the surroundings or the landscapes became part of the story, the description of the moods of the characters are beautifully portrayed in the nature that surrounds them.... I thought it was lovely.

A lot of people wrote on these reviews that the translated version misses out a lot of things, but this always happens when translating, and as I can't read Japanese, I was happy with being able to read it in English!

Yukio Mishima (The Sailor Who Fell From Grace with the Sea) is the fascinating subject of two recent DVD releases Mishima: A Life in Four Chapters - Criterion Collection and Patriotism - Criterion Collection. His 1966 novel, Spring Snow (Haru no Yuki), is the first in his "Sea of Fertility tetralogy," which also includes Runaway Horses (1969), The Temple of Dawn (1970), and The Decay of the Angel (1971). (Mishima committed ritual suicide on the day he completed the final book in his tetralogy, November 25, 1970.) Considered to be his masteriece, Mishima's tetralogy follows the successive reincarnations of Kiyoaki Matsugae (1895-1914). Set in the early years of the Taishô period (1912 to 1926), Spring Snow tells the story of a two-year relationship involving forbidden love between Kiyoaki, the 18-year-old son of an aristocratic family, and Satoko Ayakura, the 20-year-old daughter of an aristocratic family. Kiyoaki's friend, Shigekuni Honda, a law student, observes the events set forth in the novel. After Kiyoaki and Satoko meet under a bad omen: a dead black dog at the top of a high waterfall, Satoko asks Kiyoaki, "Kiyo, what would you do if all of a sudden I weren't here any more?"--a question which vexes Kiyoaki throughout much of the novel. Satoko is under instruction that she should not lose her virginity before being touched by any bridegroom chosen for her. After experiencing their first kiss together on a rickshaw ride in the snow, Satoko and Kiyoaki exchange love letters and eventually make love, before Satoko accepts the marriage proposal of another man, Prince Harunori. Meanwhile, Kiyoaki has a series of prophetic dreams before he dies at the age of 20. The novel was adapted into a 2005 film of the same name starring Satoshi Tsumabuki as Kiyoaki, Yûko Takeuchi as Satoko, and Sosuke Takaoka as Shigekuni Honda. Spring Snow attests to the rare genius of Yukio Mishima.

G. Merritt

Japan. 1912. Japanese society is divided, or at least complex. Still with most of it's body and soul in the ancient tradition of the East, but with ever increasing impulses towards the "Western culture" (In the unsemitically correct reality, we of the "West" have infinitely more in common with the traditional culture of the East than we do the current world-wide Weimar Republic, but oh well). Mishima, the author, was more or less a Japanese representative of the "conservative revolution", and appears to have been quite well read. His life reminds me in many ways of Corneliu Codreanu and Julius Evola. His well-known dramatic ritual suicide as a protest against the betrayal of tradition in Japan, and the Japanese submission to American rule, followed him and his radical "right wing" organization's (The Shield Society) failure to arouse the Japanese Defence Force into rebelling.

The book is the first in a tetralogy, and follows Kiyoaki Matsugae, a young student from a family of the lower nobility in his relationship with Satoko Ayakura, the daughter of one of the 28 families of the higher nobility, her being the daughter of a count. The book in many ways actually reminded me of the excellent "Victoria" by Knut Hamsun, with the constant back and forth in the interaction between the characters, sometimes they love each other dearly, and at other times torment each other. Such is the nature of difficult relationships, I guess! The book paints a very vivid picture of the end of a noble era, and the translation I read was excellently done. The moral teaching of this period, and it's sometimes less noble effects is excellently portrayed.

Through certain misunderstandings, Satoko ends up being future wife of one of the royal princes, and Kiyoaki is driven to despair. Long story short, as all the books in the series, there is no happy ending, but that is basically the ending of all our lives. This is a book I highly recommend, and apart from a few minor flaws, it is all in all an excellent tale, and I look very much forward to reading the rest of the series. 4,5 stars.

(I read a different edition)

Maybe it was a bad transalation. Maybe I could not relate as a westerner to an old Japanese story, but I really did not enjoy this book. It was maudlin and unbelievable. Story was boring. Character development was terrible and it was poorly written/transalated. I recommend Murakami's Norwegian Wood for those who want to read books by Japanese authors.

Mishima's Spring Snow is a coming-of-age tale for nouveau riche Kiyoaki, whose naive childhood crush on the more mature Satoko grows into something much more powerful, beautiful and, ultimately, destructive. Kiyoaki's failings are human and familiar; acting on rash impulses, immaturity, a failure to realise what he wants till he has lost it. Mishima's characterisation is finely drawn and accurate. The scheming Tadeshina turns out to have her own secret heartbreak, enervated Ayakura lacks guile but not luck, the ancient loyalties of the Abessess make her a formidable eminence grice. The characters are at once individually drawn and representative of a unique and fascinating era of flux and change in Japan, as ancient modes of behaviour gave way to modernising forces. Mishima's novel is both of its time and timeless. A true masterpiece.

i was leery at first about this manga being so complex with so many character, i had to read each book two times slowly to get all the details. but this is so worth it, it has depth and even the secondary characters are great and filled out. i love kira and kato and set.it takes some concentration and effort but what a great story. i'm a vampire kind of a girl, i never knew heaven could be so evil.ha!if you only read one manga in your life, this should be it. it's totally TASTY!

I'm assuming that if you are reading a review for volume 13 of this series, you've already read volumes 1-12 and so a) know how great the series is and b) don't need any particularly good reason to read the next volume rather than skip straight on to volume 14. That said, I'll stick to an important and helpful matter: this is the North American English edition from Viz. Despite the cover art shown on the product page, which is from the Japanese edition, this is actually the English translation. Enjoy.

The series is still strong. If you have gotten this far you'll buy this manga.

This was actually an amazon suggestion based on some other manga that I had searched for and some that I bought, and I picked up volume 1 to see if it was any good. I found the story and characters to be interesting and the artwork to be superb as well. I am interested to see where the story progresses at least enough to buy volume 2 and see where it goes from there. This is more than I can say for the "Loveless" series which is also a five-star rated item on amazon. The author/artist breeches some interesting topics and you can tell while reading that the imagination behind this story is vast and there will be much more creativity poured into the rest of the series as well. I give this one a high reccomendation, 4.5 stars if I could. The 1/2 point deduction is only because i had a bit of trouble following some of the characters, but i think this is a fault of my own for being a newbie manga reader.

I was turned onto this series just by it's beautiful artwork. The syle is truely unique and angelic...no wounder it's about angels.

The story starts off as a young teenage boy soon finds out that he is in love with is sister! As if that could be strange wait till you here this. The boy, Setsuna, is the re-incarnation of one of the most powerful angel's in history; and now people all over heaven and hell want him.

What will it take to convince Setsuna, that he is greatly needed by humanity...

I hope you thought this useful...

Hypnotic~

I was looking for a comprehensive Japanese cookbook that uses original ingredients (rather than what happens to be available in the West). This is the best Japanese cookbook from this perspective that I've seen. However, I still only give three stars, because being the best is not good enough.

I have not found a single comprehensive cookbook that fully uses Japanese ingredients. Many ingredients might not have been available in the West when the book was written (like wagyu beef), but they are now so the cookbook should cover them.

I suppose such a cookbook will be written during the coming decade, in the meantime I can strongly recommend this book. I don't think there is any better book when I'm writing this review. If you are aware of a better book, please let me know in the comments section below.

I agree with all of the reviewers who cite the thoroughness and the attention to technique and to information on unfamiliar ingredients. I ordered the 1980 version by mistake, because it was so much cheaper. I really don't know if it is much different than the newer version, but somewhere I read that it hadn't been revised much. If I have any disappointment about the book, it is that there are very few pictures.

I have to admit that I haven't yet to try one recipe from here. It is so informative. I like to read cook book and learn about the background of each food so this is the book for me.

What Julia Child's Mastering The Art of French Cooking was to the cuisine of France, so "Japanese Cooking: A Simple Art" is to Japanese food. This is the single-absolute-must-have book for anyone interested in cooking or even simply appreciating and eating the many delights and delicacies that come from this culinary culture.

Author Tsuji Shizuo doesn't simply want to teach you how to cook. He wants you to understand the thought process that goes into Japanese cooking, into the culture of food-lovers that produced one of the world's most delicious and diverse national cuisines. Starting with the ingredients, he walks your through all of the core items you will need, the flavors found within, how they can be combined and how they should be prepared. Everything that is touted in modern cooking: freshness, seasonal ingredients, food prepared to augment its natural flavor; it all comes from Japan.

Along with theory, this is a serious cooking manual as well. Cutting techniques, preparation styles, in-depth recipes for all major traditional Japanese foods; this is a classroom in a book. Along with the ingredient list there is also an explanation of traditional tools, and what can be substituted from what is commonly found in a Western kitchen. Knives get a lot of focus, as the standard Western knife set is designed for French cooking which has different demands than Japanese.

One thing this book is not is "food porn". There are no glorious and mouth-watering color photographs of the various recipes, no clever and cute names for dishes or original variations. The illustrations are all instructional in nature, with step-by-step processes to show you how to cut and stir to get the desired result. "Japanese Cooking: A Simple Art" is probably not for the casual fan who just wants something easy and quick. It is much more Anthony Bourdain than Rachael Ray.

But if you really want to master the art of Japanese cooking, then you need this book. It is that simple.

This is the only Japanese cookbook you will ever need. As other reviewers have already mentioned, it is indeed "the Bible of Japanese cooking."
A little bit about me, I first feel in love with Japanese cooking at the age of 8, when for my birthday, my parents took me to Joto's Japanese restaurant and I tried Sukiyaki. The sauce was to die for. The sauce won me over more than the ingredients inside the pot.
I just had to know how to cook it so luckily for me there was a Japanese market nearby. I went inside a bought Japanese Cuisine for Everyone by Yukiko Moriyama. It was ok for the time. It does contain actual photographs of all the sauce bottles and packages of dried foods that you need to find. It can be hard to locate items at the market and the pictures helped in the beginning. Then, years later, I bought Japanese Women Don't Get Old or Fat by Naomi Moriyama. It does have some traditional recipes mixed in with fusion cooking. Recently I bought Japanese Homestyle Cooking by Tokiko Suzuki and Harumi's Japanese Cooking by Harumi Kurihaara. Someone let me borrow an old book from Time Life books in the Foods of the World series called The Cooking of Japan. I have looked through the Nobu cookbook and it is filled with wonderful pictures but the recipes are hard for the average cook. That said, Tsuji's Japanese Cooking: A Simple Art towers above all others in content, detailed descriptions, cutting techniques, meal planning, and how to put together lunches and dinners based on the seasons. Other books have the aboved mentioned information but not on the level of Tsuji. Its like comparing the novels of Jane Austen to those of Danielle Steel. Both are romantic writers but only one is a genuis whose works stand the test of time.
Now in its 25th Anniversary, not much revising was needed, according to the author's son, you can see real Japanese cooking without all the added fusion cooking of today.
I do agree with Tsuji in his introduction where he writes, "With a Japanese recipe, however, unless you have been to this country and eaten the food, you will probably have little idea of what you will be aiming at." Despite the fact that sushi bars are everywhere and numerous Japanese restaurants are popping up, I feel dissatisfied everytime I go to a Japanese restuarant in the Tampa Bay area. Ok the sushi is good for the most part, if you avoid the California and cucumber rolls, but the main dishes are usually sub par. Each time I look at the menu and see Teriyaki Chicken or Steak I cringe. Its just not what I'm looking for. I'm sure America does have real Japanese resturants like Rangetsu in Orlando that cater to Japanese tourists or in other places like LA or NYC. I'm baised because I'm spoiled. I lived in Osaka, Japan for three years and Osaka has to be one of the great food cities, along with Kyoto, in all of Japan. Tokyo does have excellent food and the giant crab in Hokkaido is great but there's something about the food in Kansai that is extraordinary.
I lived with a Japanese host family for 1-year. Often on Saturdays, if I had no other plans, we would go to the supermarket to pick out things for the whole family. I got first hand experience on how to pick what kind of fish and why and how to buy various ingredients.
Then she would cook and I would sneak around the corner and watch. Sometimes I didn't think she wanted me to see how to cook so I was always quiet. Then I would slip back to my room and write it all down.
Also, you could wander around Osaka and just happen to find little soba and udon stands, kaiten 100-yen sushi, ramen restaurants, sukiyaki shops, shabu-shabu, Yakiniku grills, and my own personal favorite, Okonomiyaki (seafood pancake) where your table is a grill and you make and cook Okonomiyaki yourself. Staying 3-years in Osaka, I never had bad food even at the occasional trips to Wendy's or MacDonalds. Ok with that in mind, Japanese Cooking shows most of the stuff I learned from my host mother, plus the Osaka-style of Sukiyaki that I ate at many different restaurants in Osaka, Kyoto, and Kobe, and all the foods that I tried in the Kansai area. It goes far beyond all my experiences with my host mother, reading various cookbooks, and learning how to cook simple dishes from different Japanese girlfriends.(When I would visit a Japanese girl at her apartment, I would cook for the most part.) I wish I would have read this book before going to Osaka because all kinds of doors would have opened up that I didn't even see at the time.
Overall the single best Japanese cookbook out there.