Indian Books

Something catches Tunuri's eye, and he notices a unusual deer walking toward him which seemed to glow from inside. He knew that this deer was no ordinary animal--the coat was a lovely deep blue color! Magical Blue Deer introduces itself, and tells Tunuri that it knows where his family is. He beckons Tunuri to follow, and wherever the deer stepped, colorful flowers began to grow. Blue Deer leads Tunuri on a journey where he meets Father Sun, Brother Wind, Sister Water, Mother Earth, and Grandfather Fire. Grandfather Fire assures Tunuri that he is never truly alone, even if lost, and gives Tunuri a special task: to share all that he had learned that day with everyone he knows and meets.

The Huichol Indians are among the last of the world's indigenous cultures that have been able to maintain their way of life and spiritual traditions into this new millenium. They live in remote regions of the Sierra Madre Mountains of western Mexico, and although some communities can be reached by car, many of them are still isolated by mountainous terrain. The Huichol have a rich, nature-based spiritual tradition, and The Journey of Tunuri and the Blue Deer is a modern adaptation of one of their traditional stories. Two of the most important elements of the Huichol spiritual tradition is the sacred Blue Deer and the sacred cactus, hikuri, and this book reflects the teaching of how a boy or girl finds his or her task in life by connecting with the powers of nature through their help.

Each page of this captivating book is filled with full-color pictures of yarn drawings made by Maria and Casimiro, two Huichol artists. This unique art form is made by spreading bees wax on a piece of wood, and then placing many colors of yarn in intricate patterns. Each drawing takes many hours to complete, requiring enormous amounts of patience, skill, and artistic vision. Maria and Caismiro teach this special technique to younger members of the Huichol community to keep this artistic tradition alive.

In addition to the inspiring tale and gorgeous yarn art, this book also contains information about the Huichol, their sacred symbols, and how each yarn drawing for the book was made.

This book is great for younger children because the colorful pictures and lyrical prose will hold their attention. The vibrant art work and unfolding mystery of Tunuri's journey will captivate older children, as well. The Journey of Tunuri and the Blue Deer would make a wonderful addition to any library, especially for learning about contemporary indigenous culture and nature-based spirituality. I thoroughly enjoyed this book, and found it inspiring and comforting.

The Kentucky Frontiersmen is a newer version of the same book as the "The Young Trailers" that Altsheler wrote in the late 1800"s except a more modern version. The difference being that a lot of the slang is taken out and replaced with more modern words, there are illustrations and I believe that the print is larger.

I first read books from the "Young Trailer Series" back in the 50's when I was in grade school and they had a great influence on my life. I recently ordered some of the books from the Altsheler series from Amazon.com and enjoyed them again immensely. The theme represented throughout the series was the constant struggle to be the best and to be ready and prepared to prove it at anytime or it could cost an early Kentucky settler his life was a lesson that I took with me into competitive situations like sports, academics and the business world.

The "Kentucky Frontiersmen" teaches values that are so important especially to growing children that deal with responsibility, hard work, integrity, intelligence and the special type of people that built this country.

Every resident of Kentucky should read these books because historically they give an accurate view of what Kentucky was like back in the early days of settlement. What a special place Kentucky must have been and I'm sure, still is.

In his later books, Bowden's bitter spleen often spills uncontrollably from his pen, but his tone here is much more restrained. In "Waters," his voice is almost scholarly scholarly and tinged with sad wisdom. This is a great book, and one that deserves far more readers.

In his later books, Bowden's bitter spleen often spills uncontrollably from his pen, but his tone here is much more restrained. In "Waters," his voice is almost scholarly scholarly and tinged with sad wisdom. This is a great book, and one that deserves far more readers.

The figure of Kokopelli is found chipped into desert stone at various ancient sites throughout the American Southwest. It also appears in contemporary forms, painted on canvas, etched into glassware, printed on Christmas cards, and sculpted into candelabra, in presentations that range from the holy to the kitschy. What energizes the frequent appearances of the enigmatic hunchbacked flute player? The authors suggest that the centuries-old drawing power of this archetypal figure may lie in both its protean nature and its spiritual origins.

Hill acquaints the reader with images of Kokopelli as hunter, warrior, healer, gambler, fertility bringer, and even mythological insect who appears in some Native American accounts of the Creation, by presenting a broad review of the available literature on the topic. Wisely, he presents Kokopelli's multiple manifestations without seeking to narrow them to a definitive representation that would deny the complexity of the image. His smart narrative contains a mine of information that yields a pocketful of nice nuggets with each perusal; and his readable style turns them up without a lot of digging.

In stunning visual images that complement the text, Montoya presents Kokopelli as an avatar figure who both generously offers and thankfully celebrates the receipt of the gifts of a bountiful earth. To Hill's scholarly analysis, Montoya adds the cultural insights of one steeped in the kind of ceremonialism from which Kokopelli likely first emerged, and the imagination of a skilled contemporary artist. Their collaboration is a complimentary one in which the text illuminates the paintings, and the visual images add an intuitive content that transcends the text.

Hill is frank about his intention to produce a hybrid text that is concurrently an art book, a study of Native American spiritual beliefs, and a review of Kokopelli literature. The challenge in such an undertaking is to do it seamlessly. How that challenge was met produced my only caveat, and a small one considering the ambitious nature of the project. The book's divisions make it seem a bit episodic, particularly the insertion of a short chapter by art critic James Bialac that might better have been placed in an appendix. At the same time, the holistic approach to the book's subject matter is an essential part of what makes it original and interesting. Hill and Montoya have added an important spiritual component to an art/cultural study without becoming simplistic or sappy, a laudable achievement.

Kokopelli Ceremonies provides some satisfying depth in an area in which much of the available material only skims the surface. Although the book is brief, it contains a well-selected bibliography for those readers who wish to further pursue the elusive Kokopelli through the avenue of cultural studies. For the text-challenged and those who prefer to see beyond black and white, sixteen gorgeous color plates provide a visual feast. Leave Kokopelli Ceremonies out where you can reach for it often--you'll probably make frequent journeys following the elusive notes of the ancient pied piper.

Thus begins a most unusual relationship between the very young Krishnamurti and the Theosophical Society (Annie Besant was appointed guardian of Krishnamurti and his beloved younger brother one year later, in 1910. There were many advantages and disadvantages to the transformed life Krishnamurti led, and this book covers all the most interesting facets of Krishnamurti's life with beautiful photographs, hand-written journal entries, and interviews with Krishnamurti and other great thinkers of his time.

This is the story of a man devoted to giving spiritual teachings -- a man who inspired many (including Bruce Lee, Van Morrison, Henry Miller, Deepak Chopra, and Joseph Campbell) with his tremendous wisdom and clarity. Many of Krishnamurti's thoughts and quotes are included, such as, "In yourself lies the whole world, and if you know how to look and learn, then the door is there and the key is in your hand. Nobody on earth can give you either that key or the door to open except yourself."

I highly recommend this book, both for its exquisite attention to the details and big picture of Krishnamurti's life, and for the inspirational wisdom it imparts to the reader.