Indian Books

If you like history, Native Americans and feel that part of you would like to live in the past, and especially Florida, this is a wonderful read. You can feel the excitement of carving wood with ancient tools made by the author and sense what it is like to make arrowheads from the earth. Another hands on book of high regard is Walking the Trail by Cherokee author Jerry Ellis. He was the first person in modern history to walk the 900 mile route of the Cherokee Trail of Tears. Inspiring, compelling and hard driven, this spiritual book was nominated for a Pulitzer and National Book Award.

This is the best book I've read on Florida's Paleo-Indians so far, not only for identifying pottery, tools (both shell & stone) and other artifacts, but the author's details on reconstructing the methods of creating and using the same, are wonderful. The photos and drawings of hundreds of different potsherds are alone worth the price of the book. At last I can not only identify the many pieces I have picked up over the last several years, but gain a greater understanding of the people who created them.

Mr. Brown goes a long way to test his theories. Recreating the articles of every day life was at times arduous and demanding, but his work was not in vain.
What I liked most was the practicality of the author. Instead of writing from the lofty towers of "academia" and pure theoretical knowledge, he and his small band of peers proves the discoveries and findings at archeological digs are based on real events, not some kooky theory. The people described did exist, and after reading this book they will become more real to you.
The knowledge gained from reading this book is immense and is time well spent.

I read this book first of the trilogy. I fell in love with the stories and read all three in just a few weeks time. The stories take us to a time, a place and a people who are forgotten. The women and men of Mexico, in the transition time when borders are fluid and countries are defining themselves, creating themselves, on the backs of the poor. They are people whose lives do not have happy endings. People who lived as best they could with few resources and no opportunities. My heart was taken by the characters. Alcala does a wonderful job of weaving history into a story that could be true.

It is a lovely read. Enjoy.

In Flower in the Skull we see three generations of women trying to adapt to their sorroundings and at the same time make sense of their past. This is no easy task but the characters make an effort, and although they are not always totally happy, they manage to make it on their own. A very good book, very honest and informative.

Kathleen Alcala's "The Flower in the Skull" is a haunting, beautiful and well-researched novel that begins deep in Mexico's Sonoran Desert in the late 1800s and follows three generations of women up to the present. Alcala's language is clear, evocative and, at times, heart-wrenching as she tells this story of diaspora, lost family connections and personal discovery. One of the most moving chapters (titled, "The Girl in the Closet") is Alcala at her best as she captures the almost overwhelming fears of a woman beaten down by the sexual transgressions of her employer: "If I just stay here, I will be fine. Before I shut the door, I got a box of crackers from the kitchen, so I will be fine." This is a powerful novel.

What can i say. I have numerous books on the subject and this one, like all the others books written by Turner, are top ranking. With detaild information on how the plants were used by indiginous people.

This richly illustrated book details over 150 plant species used by First Peoples/Native Americans in the Pacific Northwest Interior.

Revised and redesigned for easier use, this handbook includes detailed botanical descriptions and notes on habitat and distribution.

Groups covered are the Stl'atl'imx (Lillooet), Secwepemc (Sushwap), Nlaka'pamux (Thompson), Okanagan, Ktunaxa (Kootenay), Tsimshian and Athapaskan groups in the north, and others in northwestern U.S.A.

Nancy Turner explains how aboriginal peoples harvested, prepared and preserved the roots, leaves, fruits and other parts of wild plants. She also describes some non-native food plants used by interior peoples and several species they considered poisonous or inedible. Color pictures enhance descriptions and make identification easier.

This book is really impressive. It has a lot more information than a standard "pocket guide" book. There are numerous food sources in this book that i have never seen in other similiar books. an example: this book explains in detail how native americans harvested the inner bark (cambium) of the western hemlock to make a flour like substance. I have never read this in any other plant books. The book also includes information on how to prepare the food in traditional ways, as well as stories related to particular plants. All in all, this is probably the best book I know of concerning edible wild plants in the pacific northwest.

Fort Robinson, located in northwestern Nebraska, played an important role in the affairs between the military and the Indians on the Plains. Thomas Buecker's history of the fort is both informative and a delight to read.

Fort Robinson was established in 1874 after troubles occurred at the nearby Red Cloud agency. Intended at first to be only a temporary cantonment, it wasn't long before the strategic importance of the fort was realized. Unable to stem the tide of gold prospectors into the Black Hills, soldiers from the fort played an important part in the Great Sioux War that followed. The successful expedition against Dull Knife was launched from there. In 1877, the fort witnessed one of its greatest tragedies when it became the place where Crazy Horse was stabbed and killed, although two years later this notoriety was almost matched when 64 Northern Cheyenne were killed when trying to escape. In the 1880s, the fort became the base of operations for the Ninth Cavalry, the "Buffalo Soldiers." The Ghost Dance uprising at nearby Pine Ridge in 1890 was the last great event involving troops at Fort Robinson. The fort became a sleepy reminder of times gone by by the end of the century when Buecker's account ends, though the fort was brought back to life during both World Wars as a supply and training center, and as a POW camp. Today it's a handsome park with an excellent small museum.

Buecker, who was (is still?) the curator of the Fort Robinson Museum, has written a wonderful book on the fort. Historically detailed, Buecker is also careful to relate what life was like for the soldiers who lived there. It gives an excellent view of not only a specific place, but of a time too. Also useful for historians is Appendix A in which Buecker lists all the military units that ever served at the fort. It's a great book on the American West. Highly recommended.

I have read a number of histories of frontier posts over the years and this one exceeds them all. Mr. Buecker provides an immense amount of detail on how Fort Robinson came into being and all that transpired there from 1874-1899. On that count, its past is far more interesting than that of some of the post-Sioux War posts such as Fort Meade or Fort Custer. Camp Robinson (as it was still known in 1877) was the scene for the dramatic and tragic death of Crazy Horse in September of that year. In January, 1879 Fort Robinson played host to another dramatic event as the Cheyenne imprisoned there after taking leave of their Oklahoma reservation attempted to break out and continue their journey to their traditional Montana homeland. The author provides a very good, concise telling of that event.

Beyond that, Mr. Buecker constantly reminds us that for most of the time, normal garrison duty occupied the various companies stationed there over the years. He does a very good job in describing what constituted the way of life for the officers and enlisted men stationed there. In the 1880s, the garrison included the famed Buffalo Soldiers of the Ninth U.S. Cavalry. He also explores the complex relationship that existed between the soldiers and the Lakota of the nearby Red Cloud agency during the early years of Robinson's existance. The relationships were varied and alive (for example, Chief Spotted Tail dined with offices in their quarters), not the one-dimensional, frontier soldiers hating/abusing the Indians as modern myth so often erroneously portrays late 19th century Frontier Military-Indian interaction.

If you are interested in the Sioux Wars, the frontier military, Crazy Horse, the Northern Cheyenne or the Buffalo Soldiers, you should not be disappointed in this book. It should be added that Mr. Buecker was well-prepared to tell the story of Fort Robinson since he serves as the curator of the Fort Robinson Museum in northwest Nebraska. I must also add that both the Museum and the present-day fort (now a state park) are well worth a visit.

Fort Robinson And The American West 1874-1899 by Thomas R. Buecker (Curator of the Fort Robinson Museum in Crawford, Nebraska) is a close and authoritative look at Fort Robinson, a place that witnessed many stark and brutal clashes between whites and American Indians, including the Cheyenne Outbreak, the death of Crazy Horse, the Ghost Dance, and the tragedy of Wounded Knee. Historic references, government records, reports, correspondence and other primary sources form the core of this thoughtful, sober, scholarly analysis, which is a welcome contribution to American History shelves, Native American Studies collections, those reading lists dealing with the history of the American Western Frontier.

The four huts are four short essays about retreat from the world, specifically retreat to small and private home. I'm not a very romantic person, but I started to feel that longing for a thoughtful, simple life as I read these essays.

The four cover an 800-year period, starting in China then moving to Japan. The earliest writing, by Po Chu-I, may be my favorite. The first part is brief and business-like, a description of the hut, its environs, and the views from it. Although the writing is plain, I can't help imagine the drifting Chinese landscape paintings I've seen, with mists and peaks off to the edge of vision. This piece ends with two brief poems that express some of the writer's quiet passion. I was quite taken by the way the prose and poetry are used to express different parts of the author's experience.

The second writing in this book struck me, at first, as disingenuous. Again, the hut is simple but sturdy and well-made, and the environs capture many different aspects of natural beauty. The landscaping is completely man-made, though, and the property was acquired and developed at huge expense, near the capitol. My second impression was that yes, the scene has some Disney artificiality about it, but the urge that drove it was as real as any. Even at that time, the start of the Heian era or just before it, urban crowding was a reality, and urban gentrification was as much a factor as in any modern city. If "The Pond Pavilion" could not be an actual withdrawal from the world, it was a lovingly built homage to the ideal.

The third essay, the Ten Square Foot Hut, has appeared elsewhere, and is still worth reading. This focuses less on the hut itself than on the process of withdrawal and the life of the near-hermit. It is pervasively Buddhist, and does not promote complete isolation from the world. It does, however, offer an appealing look at an old man, usually alone but never lonely, doing what he has worked for many years to do.

The final essay may be the shortest. It is certainly the most recent, written some time in the 17th century AD. It is also a symmetric end to the collection - Basho's lttle essay reads much like the first.

This book is quite brief, and even shorter if one skips over the translator's noted. It seemed to be over much too soon. Still, the book's brevity and simplicity are modeled after the scenes it describes. It was hard to close the book and come back to the reality of the modern world.

Burton Watson, the well-known translator of 'The Complete Works of Chuang Tzu' and Ssu-Ma Chien's 'Records of the Grand Historian of China,' here turns his attention to something much slighter, though perhaps no less profound.

'Four Huts' is made up of four short prose pieces or 'chi' (Records) praising the wisdom of the simple life: 'Record of the Thatched Hall on Mount Lu,' by the major T'ang poet, Po Chu-i; 'Record of the Pond Pavilion' by Yoshishige no Yasutane; 'Record of the Ten-Foot-Square-Hut' by Kamo no Chomei; and 'Record of the Hut of the Phantom' by the famous haiku poet, Matsuo Basho.

All four of these 'Records' or essays have the same theme: the wisdom of removing oneself from the rat-race, setting up a simple residence in beautiful natural surroundings, and getting back in touch with one's real nature and with real things. They celebrate, as Po Chu-i puts it, being 'happy with one's surroundings and at peace within' (page 9). Short, and easy to read, it would be a wonderful book to have along with you on your next trip to the forests, lakes, or mountains.

The book also contains a brief, though somewhat uninspired Preface, by Watson; brief Introductions and endnotes to each piece; and twelve fine halftone illustrations, by the remarkably competent Zen calligrapher Stephen Addiss, which help set the mood

It's a small and beautiful book of just 132 pages that will easily fit into a purse or shirt-pocket, well-printed in two colors on a heavy high-quality ivory-tinted paper, bound in a stiff glossy illustrated wrapper, and it even has persimmon endpapers. As a book, it would have been perfect if only someone had thought to add stitching.

Most of us probably realize that it is the simplest things in life that bring us the greatest joys - a simple and unostenatious dwelling, time in which to unwind and become what we are supposed to be, a refreshing breeze, sunlight, wholesome food, raindrops, birdsong, the sound of water, children's laughter, a well-loved book.

But despite knowing this we allow ourselves to be seduced by the tinsel glamor and superficial excitements of the bustling metropolis. And the question raised by this book is just which of the two, the simple or the glamorous, provides the richest and most rewarding satisfactions?

'Four Huts' will probably be read by those who need it least. But it would make an ideal gift for some Prozac-popping friend you think needs it most. It might, with a bit of luck, just end up changing their life.

This small book containing 4 short essays (and a poem or two) on the simple life makes one realize that possessions and big houses can be a burden; life can be lived simply and serenely. These essays were written by one Chinese author and three Japanese authors, over almost a thousand years, ending with Basho. I enjoyed all four essays, but Basho has so much wit to him that I have to say he is my favorite. I love the image he presents: nothing holy or wise, just sitting there admiring the view and squishing lice. What more is there to life?

From back cover:

"In this riveting narrative of spiritual discovery, American psychologist Alberto Villoldo journeys to Peru to investigate the jungle plant 'ayahuasca,' used by Indian shamans to access the four paths of the Medicine Wheel. Through ritual, ceremony, and the use of mind-wrenching potions, Villoldo enters a fantastic realm of both mind and body, unlocking the secrets of the ancient Quechua masters and the power of the human psyche."

The book grabbed me within a heartbeat. It was well written with much visual effects and sensory overloads. One felt as though they were actually becoming a Shaman. It made perfect sense and when he was scared I was scared. When things came together for him, it did for me too. Highly recommended, although it's out of print. Try to obtain it anyway you can.

One of the most unbelievable books I've had the pleasure to read. I used to have a copy and think just about everyone should. Hell, I'm a jock and I loved it. Too bad its hard to find. Anyone that sees this, I am NOT OVER STATING MY OPINION.

For anyone interested in Native American pottery, this volume is a must-have.

We are lucky enough to have met Florence Chavarria Browning of the Santa Clara pueblo, and to have purchased one of her spectacular black pots.

These particular pots are not glazed, but fired specially to create the pure, colt black of black onyx, darker than coal, and softly glowing. Very few artists have skill enough to burn these amazing pots, and this book, introduces readers to the best of them.

almost every piece of pottery I have is represented in the book!

This is a wonderful detailed book of the the finest potters to be found in the southwest. This new expanded edition provides great family trees of the finest of Pueblo potters. If you're planning a visit to the Southwest and hope to meet some of these potters, it is the perfect companion book to The Native American Indian Artist Directory that will actually provide phone numbers and mailing addresses for many of the potters found in this outstanding edition.

The Library of America has done it again - directing me toward this priceless book by Francis Parkman, whom I had heard of but never read. It is perhaps the best accounting I have read thus far about the era and aura surrounding historical depictions of the Oregon Trail. It began in diary form, fleshed out later into a splendid historical novel. He is a marvelous writer, a factual storyteller; equal to if not surpassing Mark Twain's captivating talent, in my own opinion; but more importantly, he was a remarkable man of solid character and it is readily apparent, thus adding credibility to his every word. His wit and prose are truly out of the ordinary and he uses both to great effect to capture the imagination of the reader which he accomplishes virtually from the first sentence. A remarkable work and one that will last through ages more, unchallenged as not only the last of it's kind, but as the best benchmark for any historical endeavor that may yet be written about the Oregon Trail.

He was a young adventurer, who set out on the Oregon Trail mostly because he could. His was a journey destined to explore the Indian Nations if he could - in all their original state of gore and glory. This became an obsession; something he required of himself while he was on the prairie - and he shrugged off life-threatening illness, hardship and peril to write it down as he saw it roll before his eyes. They accepted him into their lives and their village, not without some trepidation, but with hospitality as they knew it nonetheless. As he moves within their culture through this short time, he notices everything down to the slightest detail, providing excellent insight into the daily rituals of plains Indian life. His descriptive passages of the moving of the villages, complete with dogs, children, warriors and old mothers, fathers and, of course, the Chief are remarkable in that it required not only tactful diplomacy, but astonishing bravery as well. He remarked, but did not dwell on it, nonetheless, the reader senses the acute danger present with every step along a path such as this.

There was also much humor through everyday occurrences that he never failed to note. One passage comes to mind from pages 206/207 and it's regarding, of all things, a dog being admonished for bad behavior by one of the native women: "....scolding an old yellow dog, who lay on the ground with his nose resting between his paws, and his eyes turned sleepily upward to her face, as if he were pretending to give full respectful attention, but resolved to fall asleep as soon as it was all over.."

His eyes beheld Fort Laramie in it's hey day, the mountain men of self-exile and boundless energy when in pursuit of the beaver, the lazy and the disagreeable, the "complexions" that had little to do with who you were in such a primitive yet natural scenario. But it is not primarily the culture differences or the human aspect - wild and therefore superstitious vs. civilized and educated - of his accounting but of his open mindedness, his willing to look beyond surfaces of people unlike himself and search for the soul within; the search for fact and truth what ever it was, where ever it was, and whomever it belonged to. He held a genuine interest in his undertaking and his virtual pen was faithful in that regard. His eye for beauty and appreciation of the boundless and magnificent wilderness excursion fills the reader with longing to have experienced such as this themselves, even though most of us know it takes a separate breed of individual to breach the hardship inherent in such a journey. And, as one who has grown up in the West, it is easy to spot a counterfeit.

Truly a masterpiece of Western Americana, taking it's rightful place alongside Mari Sandoz/s "Old Jules".

I highly recommend this two-volume historical book to anyone who is interested in factual narrative adventure, Indian Nations as they were or first-person American History, especially during the Westward movement.

For those whose tastes run to this kind of historical narrative, another Library of America selection, William Bartram's "Travels and other writings" is in a similar vein, a fabulous accounting of the eastern half of the U.S., when it too was young, and includes fascinating narrative regarding the Cherokees, Crees, Creeks, and other Native Nations. Allan Eckert's "The Frontiersmen" is another excellent example of historical narration regarding the pioneers and woodsmen.

This volume is a reader's delight, for it presents not one but two of Francis Parkman's classic works: The Oregon Trail and The Conspiracy of Pontiac. Rightly hailed as America's greatest historian, in The Oregon Trail Francis Parkman relates a journey to the 1840's American West - undertaken for the express purpose of living among "real" American Indian tribes of the Great Plains before their way of life passed forever. By this experience Parkman hoped to better understand and relate what eastern tribes had so tragically fought for and lost in the preceding century's struggle for the continent. The Oregon Trail is a great book in its own right, and has been reviewed by this reader previously (see more in "About Me/Other Reviews"), but the primary focus of this review is Parkman's study of a crucial chapter in the development of North America as we know it today: the disastrous consequences France's defeat in Canada would bring to the remaining eastern tribes. For this event would inexorably lead to the explosion of the English colonies across lands heretofore held by them under French "dominion".

While the Iroquois Nations had long maintained an uneasy alliance with the English as they pushed their way into the western reaches of New York, Pennsylvania and Virginia, those further west knew what the defeat of the French would bring: utter destruction. The Ottawa, Ojibwa, Pottawattami, Delaware, Shawnee, Illinois, Sauk and Foxes had long fought the intrusion of the arrogant and land-grabbing English from Quebec to the Mississippi. Pontiac himself had fought beside the Marquis de Montcalm as he tried in vain to save New France from ruin during the French & Indian War. But at last, in the mid-1700s France finally capitulated to her English rivals, her hold on the North American continent broken forever. The only task left to the conquerors was to make their way across the Great Lakes, into the valleys of the Ohio, and down the Mississippi into the Illinois country to make their claim upon the former French forts and trading houses. For a brief time a singular leader and a dozen nations blocked their way: Pontiac and his assembled allies.

Parkman sets the stage by briefly relating the history of France and England in America from the early 1600s-1760s, then meticulously details the source of the tribes' many grievances - grievances which would directly lead to Pontiac's bold attempt to decisively halt the English advance.

Though doomed to ultimate defeat against the onslaught of English guns and armies, traders and pioneers, for a short time Pontiac's initiative was remarkably successful. He brought war to nearly all of western America at the same time - from the siege at Detroit to the forests outside the gates of Niagara, from upper Michigan and Wisconsin to the Ohio valley, into western Pennsylvania, Virginia and New York, down the many rivers and tributaries leading into the Mississipi. A dozen forts fell before him and hundreds of miles of frontier settlements emptied in terror.

Parkman's work is perhaps the best chronicle of many of these tribes' last desperate fight for their lives and land. Those interested in the history of the struggles destined to come shortly to the tribes west of the Mississippi will derive much insight from Parkman's treatment of Pontiac's war. For his "conspiracy" was the original "last great battle" for the "American West" - 100 years before the battle for the further western Plains would come to an ignominious close. To understand Pontiac's war, the motives of both his people and the English and French, as well as the burgeoning force who would soon thereafter cast off their identity as "colonists" is to understand much of what would follow as American history.

David McCullough and Theodore Roosevelt both say that they consider Francis Parkman to be their favorite historian and the author who had the greatest impact on their own writing. If you read the Oregon Trail you will understand why.

Parkman made his journey in 1846. It was before the Civil War, and 15 or more years before the West portrayed in most westerns. The outposts of the American Fur Company were 700 miles west of the farthest reaches of the U.S. Cavalry, and Parkman was truly on the cutting edge of frontier. This is a very different view of the West than we get from the movies.

What is most interesting here is the portrayal of the American Indian. Traders, merchants, immigrants, trappers, and frontiersmen live side by side with the Sioux Indians. The Sioux are are war with the Crows, and the six nations are gathering to finally wipe the Crows from the face of the earth.

The West resembles a multi-racial society, where the settlers and traders try to get along with everyone, but where the Indians seem to have a little more trouble than the settlers living in peace. The Sioux look upon the trading posts as a source of protection and manufactured goods. They leave the bodies of their dead chiefs on scaffolds nearby Fort Laramie for protection, to keep the Crow from desecrating the bodies of the dead.

There is a great deal of mixture between whites and Indians. Traders and merchants have squaws as mistresses or even wives, and the families, the in-laws, live inside the fort with them. During one pare of the journey, Parkman leaves the Oregon trail to go with a friend and find his dying wife, a Sioux squaw who is with the tribe.

This book is a classic. It is the type that should be read by every educated American. On top of that, it's well written, and as timeless as any modern American history.

I bought this beautifully illustrated book for my grandson, who is growing up in the Pacific Northwest surrounded by the art of the region's native people. I've colleced a lot of Haida and Tlingit art over the years and was so pleased to find the book's illustrations were both historically and aesthetically accurate. Between this book and the author's Storm Boy, kids can see Haida button blankets, Chilkat blankets, coppers, wooden chief's masks, the carved and painted interiors of long houses, the woven reed clothing worn in past eras, and of course totem poles. I loved the scale of the illustations in scents in the Frog longhouse, with the little girl so dwarfed by all the big carvings and sculptures. I have to say that these two books are among the best-illustrated kids' books I've seen in years. If I were on the prize committee, I'd award the author/illustrator a Caldecott Medal for sure.

This is a title that will entertain both the adult reader and the child. An adventure regarding stewardship of the earth. The dream-like images and intriguing story draw one right in. Would make a nice gift.

The story is easy to read aloud and the illustrations are rivetting. I bought this for my three-year-old son, but find myself using it as a teaching tool in my second grade classroom, as well. It is very similar to a story my grandparents (Quinault-Cowlitz/Coast Salish) used to tell me when I was growing up. The message about taking care of all our relations is an important one. The story ignited a new interest in volcanoes and pond-life in my son's imagination. His interest in volcanoes and caves became so keen because of this book that we spent hours in the volcano exhibits at the Natural History Museum and made a special trip to Carlsbad Caverns! Bravo Paul Owen Lewis.

I HAVE BEEN AN INSTRUCTOR FOR 8 YEARS AND THIS IS NOW ONE OF THE REQUIRED BOOKS THAT ARE INCLUDED IN MY TRAINING CLASS FOR NEW DEALERS. AT MY SUGGESTION A LOCAL POKER ROOM HAS INCLUDED THIS AS THEIR RULE BOOK AND ALL SUPERVISORS ARE REQUIRED TO USE IT. THIS BOOKS HAS COMPREHENSIVE UP TO DATE RULES. AS WE KNOW RULES MAY CHANGE FROM ROOM TO ROOM, BUT SOMETHING THAT IS CLOSE TO STANDARD THE POKER ALMANAC HAS IT ALL. TDA RULES, ROBERTS RULES, GAMES, AS WELL AS A GREAT UP TO DATE GLOSSARY. THIS BOOK IS AN ASSET FOR TRAINING NEW DEALERS. I USE THIS AND THE PROFESSIONAL DEALER'S HANDBOOK AS A REQUIREMENT TO PURCHASE.

This is a concise encyclopedia of the rules for poker. The Official Rules will particularly appeal to novices as it explains the nature of the cardroom, the equipment integral to the game, and hand rankings. Much of it is based on Robert's (Bob Ciaffone's) Rules of Poker and is elaborated upon by the author. It provides an introduction to the game as well by experienced player, Kelli Mix. The various styles of games are also discussed: limit, spread limit, no limit, and pot limit. The text covers just about everything including seven card stud high low and deuce-to-seven high low. The explanation of tournament rules is valuable because, as those of us who watch HSP already know, tournaments and cash games are entirely different animals. It even tells you what should be done with the "odd chip" in casino games. I appreciated the definition of "kill pots" and wish I would have read it before I began playing in kill limit games online, lol. This is definitely something I could have really used back in 2004 when I first began learning about the game.

Game Day highly recommends this book as the standard poker book for use during all types of poker games. This book is especially helpful to players in home games of poker, where it is important to have a way to resolve rules disputes quickly and amicably.

We at Game Day saw that there was something missing in the current field of poker books: a standard poker rule book. Before we published the Official Rules of Poker, the only authorities on the rules of poker was Scarne and Hoyle, which were written in the Nineteenth Century. The game has changed, especially in the last ten years, and we realized that it was important to have a Twenty-First Century rule book.

When we put out the word that we were looking for an editor and for such a book, Kelli Mix came forward. Ms. Mix, or "Poker Mom" as she is known at the poker table, eagerly took up the challenge of gathering and writing the rules to suit the modern game of poker. This turned out to be a gargantuan task. Ms. Mix researched each rule, making sure that they were found in at least five independent sources. Mix turned out to be a wonderful choice as editor and author of the Game Day Poker Almanac Official Rules of Poker.

Mix is a professional poker player. She is still under most poker players radar, but she is quietly climbing the ranks of tournament poker players (she finished 11th in the 2007 World Series of Poker Texas Hold 'Em Women's tournament in a field of more than 1,200 players). However, she is more likely to be found at cash games, playing high stakes.

The Official Rules of Poker includes all the rules of poker, from the most basic hand rankings to the most obscure tournament rules.

Contents:
1: Elements of Poker. This chapter covers the most basic rules of poker, and also describes the way poker is played in casino card rooms. Mix wrote these rules in a way that makes them easy to use while playing a game.

2: Professional Poker Rules. These rules cover more of mechanical means of acting in a poker game, giving the finer definitions of what constitutes a raise, a call or a fold. They also discuss the penalties of rules infractions. There are four parts to this chapter.

a) Robert's Rules of Poker. These rules were written by professional poker player and authority, Bob Ciaffone, as a standard set of rules of cash games in casino card rooms. While local laws may require changes to these rules, and some casinos use their own rules, these rules are often cited as the official set of rules in professional play.

b) Robert's Rules of Poker for Private Games: This is Ciaffone's "Robert's Rules of Poker" which he adopted to home games where no impartial dealer or floorperson is present.

c) Poker Tournament Director's Association Rules (TDA Rules). Each year, the Professional Poker Tournament Directors Association updates its rules, which most casinos and poker leagues use as their official rule book in tournament play. Tournament rules add a new layer of rules to poker, as tournaments are about eliminating players, not about accumulating money.

d) World Series of Poker Rules: The World Series of Poker is considered the premier poker tournament event. Due to its sheer size and commercialism, the rules for WSOP tournaments are different than TDA rules. Many poker leagues use WSOP rules instead of TDA rules, as the WSOP rules are more popular among those who learned poker from television.

3: Poker Etiquette. There are types of behavior frowned upon in poker games, due to the fact that poker is a highly competitive game and may involve large sums of money. In some games of poker, violating etiquette may result in ejection from the game.

4: Variant Poker Games. Includes 69 different versions of poker, including 5-Card Draw, 5-Card Stud, Cincinnati, Chicago, Baseball, Anaconda, Mexican Stud, Chinese Poker, Iron Cross, Guts, English Stud, Kansas City Lowball, California Lowball, Pineapple,Spit, Three-Card Draw, and the ever-hilarious Indian Poker. Also includes rules for declaring wild cards and using jokers. WhIle professional poker players and casino card rooms will never play most of these games, home games are notorious for playing "dealer's choice" where the dealer chooses which of the many variations of poker will be played that hand. (Note: Mix and I had a really good time finding out about all of these games.)

5: Glossary. Again, Mix was very thorough in her research. Poker terminology is highly colorful and is a lingo all its own. from the Nuts to the Fish. Mix used multiple sources, as there are many local poker terms and terms used that do not last more than a few months. She excludes popular names for two-card Texas Hold 'Em hands, purposefully, although we plan to have a separate glossary for hand names in future editions. Still, this is one of the most complete glossaries I have seen in a poker book anywhere.

6. Index: Okay, I did the index. I believe that indexes should be thorough, and so I did my best to make the index easy to use in the heat of play. Still, this was a fairly easy index to create, as Mix's presentation of the rules and her organization of the material was straightforward, allowing me to easily pick out the rules.

The Official Rules of Poker has been wonderfully received. Professional poker dealers have been clamoring to get this edition. When we released the book at the WSOP 2007 in Las Vegas, the WSOP dealers practically knocked me over trying to get their own copy.

Thank you for considering The Game Day Poker Almanac Official Rules of Poker. I personally hope you will find it to be of great use, and that the book will provide you with years of fun--and fair--poker.

David A. Rozansky
Publisher
Game Day (an imprint of Flying Pen Press)