Indian Books

The Chachapoya, or Cloud People, created a complex civilization in the upper Amazon of northern Peru in the terrain separating the Marañon and Huallaga basins. Keith Muscutt spent over 20 years studying the civilization. His book is a treasure of careful and vivid writing, enhanced by wonderful photographs of a breathtaking landscape.

The Chachapoya were conquered by the Inca around A.D. 1475, and shortly thereafter were decimated by Spanish colonial rule. Pedro Cieza de León described the Chachapoyas: "They are the whitest and most handsome of all the people that I have seen in Indies, and their wives were so beautiful that because of their gentleness, many of them deserved to be the Incas' wives and to also be taken to the Sun Temple .... The women and their husbands always dressed in woolen clothes and in their heads they wear their llautos, which are a sign they wear to be known everywhere."

Descendants of these people still live in the region amid the ruins. Muscutt offers splendid color plates of cliff-side tombs mixed with photographs of modern-day village life. His photos also capture the forest-choked valleys, high-altitude lakes, and orchid-studded vegetation.

Vincent Lee's maps of of Vira Vira are excellent. The bibliography, compiled by Douglas Sharon and Muscutt, is first rate. Muscatt traces some of the life of Benigno Añazco, who spent 36 years deep in the Andean forest, founded 14 settlements, abandoned his wife and many children, married one of his daughters, killed his son-in-law, fought drug peddlers, and sought to re-establish the Inca Empire.

According to chachapoyas.com , a website devoted to this book, Keith Muscutt is Assistant Dean of the Arts at the University of California, Santa Cruz. A native of England, he has traveled widely in the United States, Mexico, and Peru, photographing and writing articles about rock art and pre-Columbian remains. He is the founder of the Fundación Benéfica Niños de Chuquibamba, which promotes the health and education of children in the remote Andean village shown on the cover of this book.

Although the book is ten years old, nothing seems to have supplanted it for a student of the Chachapoyas.

Robert C. Ross 2008

This was an extremely well researched and fascinating book to read. Having been to Machu Picchu myself I was totally absorbed in this other ancient Peruvian culture. A must read for all archaelogy enthusiasts!

I was looking for information on Machu Picchu, when I came across this gem. The cover stirred up fantasies of Shangrila. I was intrigued, ordered it, and was delighted.This is a photographic exploration of Kuelap, a mysterious citadel in the high Andes, discovered seventy years before Machu Picchu. The Chachapoya, or Cloud People (understandably so-called) were the inahabitants of this remote and inaccessible area.Keith Muscutt has provided a detailed and interesting text to accompany this visual feast. He photographs the present inhabitants of the region, supposedly the ancestors of the builders of Kuelap. Perhaps or perhaps not, but interesting anyway.The photographs of tombs built vertically in the cliff side are indescribable. All in all I highly recommend this, whether the interest is information or pleasure. Both are to be found in these pages. Thorough and interesting and visually beautiful.

One of the world's greatest civilizations was the Incan civilization. The Incas settled in Western South America, along the Andes range. This civilization was very similar to the Great Aztec Civilization. The Incas had adapted to their environment. They built terrraces and were skillful builders. Find out how the Great civilization adapted to their environment and how they were conquered by Pizarro's trickery...

I admire textiles and have accumulated a lot of them over the years. Peru is a textile lovers paradise, especially Cuzco and more remote places like Chinchero, where you can visit the shops (usually courtyards) and homes (around the courtyards) of native weavers and you can talk with them about their wares. I bought my copy of this book in the author's store in Cuzco, the "Center for Traditional Textiles." The shop is one of the most expensive in Cuzco, but also it has the best inventory of high quality artisan weavings to be found in Cuzco, or Lima, or anywhere else I've seen in Peru. The store is a high class affair, set up as a "museum" with native weavers on the premises to demonstrate their techniques, and there are museum displays of weaving history around Cuzco, weaving techniques and apparatus, native clothing and so forth. The store has an obvious passion for informing customers about the craft. Each fabric sold in the store has the name and photograph of the weaver attached to it, and an identification of the pueblo where the item originated. The idea is to give the customer an appreciation of the piece, where it came from, and to personalize it with the face of the person who made it. This book in an extension of that same philosopy, to personalize it, except the book has 112 pages and lots of beautiful photographs to expand the idea in full detail. I wish I had bought the book before going to Peru the first time, as it would have made me more knowledgeable and appreciative of these particular textiles when I arrived. The book is not too technical. It does not dwell on weaving patterns or details of techniques, nor does it present a comprehensive history of Andean woven art. It is not a "how to" book that teaches anyone how to weave but, to the contrary, it provides a good overview of the vast variety textiles to be found in the markets around Peru (especially Cuzco), and it identifies the patterns or designs likely to be encountered with their traditional place of origin. I liked the book and I'm buying another copy for a friend who's going to Peru later this year. She's an intellectual who adores textiles and wouldn't dream of going there without doing her homework first. This book is perfect for her, informative, visually stunning, with a clear philosophical point of view, but not too long nor too detailed. I recommend the book for anyone going to Peru who is interested in artisan weaving, and who wants more information to better appreciate the craft when they see it. It is a good effort and easily worth the price.

This is a marvelous contribution to understanding the beauty and cultural importance of traditional weaving in the Andean heart of the Incan empire. The author, whose Center for Traditional Textiles in Cuzco, just opened (2007) as a museum, market, and center of learning and research,
is superbly qualified, as the expert who is illuminating her own traditions. She has produced a stunning, accessible and fascinating work which should appeal to weavers everywhere and to anyone who is traveling to the area, or armchair travelers who wish to learn more about the vibrant traditions of the Andes. Highly recommended for artists, weavers, and travelers.

Nilda Callañaupa Alvarez is a Quechua weaver and scholar. She was born in Chinchero, a village in the southern highlands of Peru, was educated in the United States and in Cusco, and is the founder of Center for Traditional Textiles in Cusco.

"We started the Center for Traditional Textiles of Cusco in l996 to explore which Andean weaving traditions still exist today, how we might educate people in our culture to value and continue the Inca heritage, and how we , as a group of concerned individuals, might aid villages and families in this process.

"In the Andes we depend mainly on farming to provide food for our families,but it brings little income. Like those who came before us, we still honor the earth and continue practices adapted to difficult conditions of high altitude, steep slopes and unpredictable weather. But we can no longer depend on the agricultural systems of land planning and food store-housing put in place by our Inca ancestors to assure that everyone received enough to eat in bad years. Those systems were destroyed during colonial times. Families today must find ways to supplement their income to meet their daily needs.

"The work of the Center is not just to preserve and to study Peruvian textiles, their symbolism and significance, etc. Our goal also is to assist families to create a larger market for their textiles and a new economy for their communities."

The works of art are beautifully reproduced in this well printed book, and the text explains much of the history and the meanings of the patterns. On a recent visit to the Center, we saw many beautiful pieces, quite different from the acrylic tourist belts and purses on offer everywhere.

The book also explains some of the many difficulties using natural materials -- lack of firewood, scarcity of some plants, even practical problems -- a soft boiled egg takes either eight or nine minutes of cooking because of the high altitudes around Cusco.

The book and the Center make an important statement about preserving these ancient weaving techniques. The resulting works are a feast for the eye and for the mind.

Robert C. Ross 2008

The pictures and text in this book are wonderful! First, it's a visual delight and when I went back to read the text, the background on weaving is thorough and very interesting. I highly recommend it!

Having traveled with Nilda to meet the weavers and observe the weaving process in most of the villages featured in the book , I can attest that the stunning color reproductions (kudos to the publisher for the choice of so many wonderful examples and for selecting a outstanding printer!) in the book accurately represent the superb work still being done under the direction of the Center for Traditional Textiles Cusco. If you are looking for "visual understanding and aesthetic appreciation" of the best of Peruvian textile weaving today, this is the book to buy! And the economical text thoughtfully complements the numerous illustrations.

Eric Waples

Upon seeing the title of Sarah Hill's Book, "Weaving New Worlds: Southeastern Cherokee Women and Their Basketry," one might think this is a book only about Indian baskets or a how-to manual for making baskets. Both of these assumptions would be far from the truth. "Weaving New Worlds" is a broad, masterful compilation of research and expression of ideas on Cherokee culture. Put simply and without hyperbole, it is one of the best books one will find on Cherokee History.

The book focuses on what has become the Eastern Band of Cherokees in western North Carolina. Though Hill writes an excellent history of the Cherokees prior to their forced removal by the federal government in the late 1830s, she does not attempt to tell any aspect of the story of the Cherokees who settled in Oklahoma. The strength of her work is in the creative chronology she provides and in her description of the environment of the southern Appalachian Mountains.

Hill divides her work into four chapters: Rivercane, White Oak, Honeysuckle, and Red Maple. These chapter names derive from the material Cherokee women used to weave their baskets. The author cleverly interweaves the shifts in Cherokee history with the shift in basket making and the materials from which the baskets were made.

The Prologue is a stand alone, worthy essay in itself. It describes with tremendous knowledge the plants and animals of the southern Appalachians and how the Cherokees used these resources. In reading Hills's Prologue, one feels they are diving into the nuts and bolts of history. There are parts of the Prologue and in Hill's writing on specific plants that are as good as historical writing gets.

It is rare to find a book this focused and replete with encyclopedic information. It is highly recommended for those interested in the history of the southern Appalachians, western North Carolina, or the Cherokees. Also, this book should be read by anyone vacationing to the Great Smoky Mountains. It will vastly increase one's understanding and appreciation of just what they are seeing when they cross into the nation's most visited national park.

This book is fantastic. Hill covers an array of subjects about Cherokee life, family, politics, beliefs, oral traditions, aesthetics - all relating to the central theme of basket-making. Well-researched and documented. While maintaining excellent scholarship, Hill write in a natural, understandable manner free of academic jargon. Essential to anyone studying Cherokee culture.

Using baskets, the oldest mother-to-daughter tradition still surviving among Cherokee women, Hill traces changes among Southeastern Cherokees and their environments over a 300-year period. Weaving New Worlds has just been awarded the Julia Cherry Spruill prize for the best book in Southern women's history published in 1997, and was described in the award as "beautifully written and brilliantly organized."

A reviewer in The Atlanta History Journal says this book is "destined to become a classic reference text to which future scholars of Native American material culture will always return." It is, the review continues, "keenly attuned to how basketry figures in the spiritual and material lives of the Southeastern Cherokee." I agree with the reviewer, but this book is more than a study of material culture, it is a history of women told by looking at their beautiful, enduring work with baskets. There is nothing like it for learning Southeastern Cherokee history.

This book is rich with geographical details of Wyoming and history of the Shoshone and Arapahoe people. O'Gara skillfully and lovingly describes the Wind River Valley like a sculptor shapes his beloved work. He is an excellent storyteller. What I loved most was O'Gara's deep attention to human relations, personal histories, and character. He always tells the tale with the human in the center. He never proselytizes or places blame. He doesn't demonize or romanticize. Also, the Native Americans are depicted as people, not political images or symbols. It's easy and fun to read, yet never strays from reality. I loved reading it. I wish more stories about Native Americans were told so warmly and truthfully.

Author Geoffrey O'Gara uses two decades of legal wrangles over control of the watershed on Wyoming's Wind River Reservation to explore two centuries of the collision between whites and Native Americans in the West. He accomplishes this feat in 300 pages by presenting the story as a human drama, focusing on the lives of individuals, living and dead, each with their own aspirations, history, and personality.

On the one hand are the white farmers who have settled legally within the boundaries of the reservation, "reclaiming" arid land with water provided by federally funded irrigation systems. On the other are the Indians of two tribes, Shoshone and Arapaho, historically antagonistic, reduced by over a century of conquest and together discovering a new-found strength to resist the will of state and federal governments. Among them are the college-educated, the young drop-outs, the old who still remember some of the lost Indian culture -- a wide range of people challenging easy ethnic stereotypes while at the same time representing the social ills that plague the reservations: poverty, unemployment, alcoholism. It is a Dickensian cast of characters.

A third group of key figures in O'Gara's story are the non-Indian professionals whose lives become entwined with reservation residents as the struggle over water rights heats up: engineers, hydrologists, conservationists, bureaucrats, lawyers and judges. The endless legal battles bring to mind Dickens' "Bleak House." Court decisions progressively yield more ground to the Indians, and appeals take the case against them all the way to the Supreme Court, yet after $50 million in legal fees, the issues remain unresolved.

While O'Gara makes an effort to maintain a journalist's objectivity throughout the book, his underlying sympathy is pretty clearly with the Indians, whom he gives the lion's share of the book to. Seeming to acquire privileged information in his interviews, he also points out that as a journalist he is often permitted to know what will best serve the Indians' purposes. He must still question its veracity and speculate about the rest, based on what seems to be extensive research in public records and historical accounts.

I recommend this book to anyone with an interest in the American West, its history, cultures, geology, topography. The book is organized as a journey upstream, along the river's two main branches, into its headwaters in mountain glaciers. In fact, it's a good idea to have a map of Wyoming at hand for reference. As a companion to this book, I'd recommend Frank Clifford's "Backbone of the World," which explores some of this same subject matter and introduces readers to many other inhabitants up and down the Continental Divide.

O'Gara has masterfully woven together past, present and future in this rich account of the Wind River Basin, its people and their struggle for self preservation. O'Gara's intimate knowlege of the social, political, economic, legal, and geologic issues that converge in this complex and fascinating story is as impressive as it is vast. He describes the land with skillful and clear-eyed detail, and he tells the story with a respect and compassion that must only have come from someone who has lived in and loved the West for many years.

The author manages to guide the reader though a conflicting set of water resource issues on the most legally confusing of all landscapes... the Wind River Reservation. Lined up across the court-room aisle sit the anglo farmers who tap the river for irrigation and the native residents wanting to restore the "in-stream flows" to support the trout fishery. Its a conflict the author uses to drive the story forward, but is only a single thread of a much richer story. The author interleaves the battle over water rights with the history of both the Shoshone and Arapaho and the opening of land within the reservation for white settlers. The author's love of the Wind River Reservation is evident in his first hand accounts describing the area's geography and natural history. This book succeeds by tying together the story's long and interconnected threads into a comprehensive picture of water politics.

Like Peter I lived and went through total hell from a matron while I was in the same orphanage. After reading Peters book while the locust slept,I relived the same anger, as Peter indured.This book should be a must read by anyone,who plans on going into the socialwork field and know that this is truly a non fiction tragedy which happened.This is a story that took place a long time ago,but could still and does happen today.

This is a chilling, true-life account of a childhood that should have never been, and 17 years of life that would forever haunt the author, Peter Razor. Peter, an intelligent boy that was raised in an orphanage as a ward of the state, then placed in an abusive indentured farm home had a childhood that is reprehensible, and sadly true. Supposedly protected by the state, Peter became a boy who flinched from physical contact, and had no understanding of what a normal happy home should be like. Unlike Peter Razor, not all children were lucky enough to survive the abuse that could be found in state orphanages when Peter was growing up. Corporal punishment went unchecked, and Peter, an American Indian, also had the added disadvantage of prejudice thrown in. Eventually placed on a farm, his placement was not carefully monitored, and the abusive treatment with this family was never noted by the social worker who was suppose to be monitoring Peter's placement. While the Locust Slept, a Minnesota Book Award Winner, is a compelling, well written tale that reads like a novel, yet is sadly a true tale of a horrific childhood that was unchecked by the state that was suppose to be protecting him

I had the pleasure of meeting Mr. Razor while on a trip to Cochiti Lake, New Mexico. After talking for a while he passed me a copy of his book and asked me to read it and then share it with others. I read the book cover-to-cover on the trip home and was amazed that the man I had talked to had once been the little boy in the book. Mr. Razor was a kind and gentle man that never revealed the scars from his childhood in any part of our conversations. America's inhumane treatment of the Indian people is well documented. This book offers graphic descriptions of individual cruelty that was fueled by ignorance and prejudice. I don't know if many human beings could have endured this sort of trauma and survived to be so kind. Peter is a truly incredible person and I would recommend his book to anyone.

My father as well was in the Owatonna "orphanage" which he termed as an "intournment camp/prison"! Babies and children were treated more tragically at this place than you could even imagine. Babies died for lack of "touch" and nurturing! Children were beaten, mauled, and oftentimes died as a result of such treatment. Peter Razor cites an insightfully true story of just SOME of the horific experiences of babies and children in this most insightful book on our country's past (AND EVEN PRESENT) ways of "Social Services" treating our "lost" children!! A MUST TO READ!

Essentially this book gives a chapter for each of the 22 cards of the major arcana of the tarot, similarities are then made with the 22 Lamatl's of `The Book of Days' or the `Tonalamatl' of the Aztecs; correspondence is further made with the deities of Mesoamerica and also with classical European Mythology.

"The tonalamatl is a divinatory almanac used in central Mexico in the decades, and perhaps centuries, leading up to the Spanish conquest. It is Nahuatl in origin, meaning "pages of days". The tonalamatl was structured around the sacred 260-day year, the tonalpohualli. This 260-day year consisted of 20 trecena of 13 days each. Each page of a tonalamatl represented one trecena, and was adorned with a painting of that trecena's reigning deity and decorated with the 13 day-signs and 13 other glyphs. These day-signs and glyphs were used to cast horoscopes and discern the future. The best surviving examples of tonalamatl are the Codex Borbonicus and the Codex Borgia." (From Wikipedia, the free online encyclopedia). It should be noted that there are apparently 2 additional trecena's reported by the author of this book; this then makes 22 trecena's, corresponding with the major arcana of the tarot.

I was glad for reading this book to further increase my knowledge of the tarot. My knowledge regarding Mesoamerican deities was fairly limited, so this information I also found very useful. On many occasions while reading this book, I wanted to put this book down and come up to speed via reading more about the Mesoamerican deities and the classical European Mythology (i.e. the Iliad and Odyssey etc); I would recommend doing this prior to reading this book, assuming you have the time. The connections that the author was trying to convey did not always match up for me; perhaps this was due to the gaps in knowledge on my part. Still I did learn a bunch of stuff even though I found this book a little hard going due to its dry nature. What made this book more difficult was trying to pronounce the Mesoamerican deity names and then trying to remember what these deities did in addition. I can't see why anyone would want to read a book like this but for a deep desire to know about spiritual matters. You've got to also wonder why this book is selling as low as it is on Amazon. Still I'm thankful to the author for all her hard work and for compiling all of this information; I have gained from reading this book.

I can't say that I'd use this book to say that all religions are essentially the same. I don't think that this was the intention of this book. I saw more that there is a deep esoteric undercurrent to be discovered.

This book is apparently complicated but in fact is quite simple: underneath the dogma and ceremony, all religions are the same. They have in common a need for answers but also a need for questions that lend themselves to lessons in morality, cautionary tales, structures of ethics that permit the fine fabric of law and society. And furthermore, the societies we think of as primitive are anything but that. Each culture devises a standard of values and behavior, that is essentially like every other culture. A valuable book, a fascinating and provocative one, as applicable as a textbook as a bedside reference source.

The thread that binds cultures is stronger and more firm than most people think. Complicating beliefs in order to make them seem original has nothing to do with their essence. Underneath it all they spring from a common source, with an extraordinary parallelism. God is God, no matter by what name. All of that and more is embraced by this amazing book, beautifully written, thought-provoking, a reference source for a lifetime of consultation. Highly recommended.

This book is a fantastic read - it's passionate, poignant and well written. The research done to write it is obviously extensive and thorough - Carol Miller certainly did her homework! even though the subject is highly intellectual, it's an easy read - great for a flight or a trip to the beach.

Please don't stop now!!! Great charecters and never a predictable ending. Keep the series coming.

This series is the best I've I read, and I to hope that there are several more books where these came from. Im curious to know when the next book will come out. Please let me know!! Alan Morris is a very talented author, KEEP UP THE GREAT WORK!!

I love this series. The only thing I want to know is when #6 will be out. No stores seem to know. Please Alan give us some informaton. Thank you. Great Book

This book has a great plot and excellent character development. It keeps your attention. I have but one concern and that is that Alan will stop now...I hope and pray that he doesn't stop now, the characters are to rich for such a sudden stop.

Rama has created an outstanding book that actually rings true with me as an Indian marketer now working outside of India. Her insights are original and sharp and at the same time very, very useful to the practical marketer/ strategist. If there was a course on Marketing in India, I am sure this would be the ideal text book!

Gives great insights into indian consumer market. Bijapurkar makes interesting observations and backs them up with data. Overall a great read for someone interesting in setting up business in india.

This book is a very interesting study of the Indian consumer that only Indians can really appreciate. India is a land of contrasts so diverse that one may encounter a totally new local language and food habit every 200 miles. The world's largest democracy has finally woken up to find her rightful place in the global economy, and begun her journey towards market capitalism, thanks to the path breaking policy changes brought about by the Union Budget of 1991. Since then there has been no looking back, despite several changes in political leadership at the Central Government.

Coincidentally, I completed my MBA from India's premier business school, the Indian Institute of Management, Ahmedabad, in 1991, where I did a course on Market Research taught by Prof Rama Bijapurkar.

Till 1991, the Indian consumer had virtually no choice but a few substandard products in most categories, thanks to the strong barriers to entry of foreign companies and restriction in local competition through a regime of industrial licencing.

The general belief at that time was that the average Indian consumer is hungry for cornflakes and thirsty for colas and there would be mad queues lining up to grab these products once introduced. In reality, two of the world's global leaders in these products are yet to break even since then. The Indian Consumer is content with hot "idlis" (my favorite) for breakfast, and proud to drink water from a earthen pot at home.

It was also believed for example that India's only (and state owned) Life Insurance Company will be in deep trouble once the foreign Insurance companies walk in with innovative "products" and technologies. The fact today is that the largest player remains the largest and most profitable with a reach into 640000 Indian villages that is its competition's envy. "We know India Better" says this India's most recognized brand.

Rama Bijapurkar is India's very well known and highly respected authority on the subject of India's consumer behavior. Her quantitative approach to arrive at accurate qualitative insights is not by adopting unavoidable and conventional statistical techniques, but an outcome of her deep understanding of and involvement in shaping corporate strategies for some of India's most respected brands. This book just is a brief summary of her rich experience.

Following a non jargon ( non MBA !) approach, Rama Bijapurkar explains several contexts of consumer India through many interesting day to day, real life examples.

An Indian with a post graduate degree and working as an officer in a bank with a salary of Rs 50000/- per month has a totally different lifestyle (and hence consumer behavior) compared to a high school dropout who owns a grocery store and earns the same amount. (The shopkeeper may never disclose his income especially to to the tax authorities, and in terms of official national statistics he may be earning less than a dollar a day, a very poor man!)

India earns lots of foreign exchange through NRI's (Non resident Indians) who send money home. We also have a unique local emerging class of consumer market of RNI's (Resident Non Indians) or the aspiring "green card wallas" who think that they are in India only temporarily, and awaiting their immediate opportunity to migrate, but try hard to emulate American lifestyle in India.

Somebody thought that India's belief in Astrology will significantly diminish, thanks to the computer and internet age. Welcome to India which today offers computerized horoscopes and predictions that are accessible through the web.

In short, there is no single India. Multinationals, instead of asking what their global strategies would yield in India, should be asking themselves what strategies they should be specifically adopting for India.

If, Force = Mass X Acceleration, even if India is moving slowly, its massive mass makes her a formidable global force, no marketer can afford to ignore. This book is an ideal guide to understand and tap this global force.

The title of my review is based on a recent Bollywood movie "Chak de India" meaning, "Go for it -India". As Indians know better, "We are like that only".

Professor, thank you for this wonderful book.

This is quite a remarkable book. The author methodically works through a confusing maze of data to present an understandable -- and practical -- summary of the current state of the Indian consumer. She deftly weaves hard and soft data, neither of which are complete without the other. I would recommend this book as the singular must read for any international consumer products or retailing professional trying to understand India.

I began to read The Winter People because it is on my school reading list. It is not the type of book I would normally pick up to read for pleasure. However once I got into the book I found it quite interesting. The book takes place before people were civilized like they are now, and is about people who have a completely different way of living. I can actually say I learned about another culture, by reading this book.

The story is about an Indian tribe that gets torn apart by white people. But specifically the book tells about a boy names Saxso that, in my opinion, truly becomes a man by the end. He gets separated from his mother and two sisters while escaping, and as the head of the family it is his job to get his family back together. After learning they had been taken by whites, Saxso sets off for a long, difficult journey to rescue them.

The Winter People is the type of book that is hard to start, but once you get into it, you'll be glad you kept reading.

I thought was a beautifully written story by Joseph Bruchac, about the Indian tribe, the Abenaki's. The simple and yet complex way he wrote it from the point of view of 14 year old Native American named Saxso, made it all the more interesting. Saxso is probably the most interesting character in this book aside from his cousin and grandfather. The description of what the British (the white people, or the winter people, the people with winter/cold in their hearts) were doing to the Native Americans after they captured them from the village upon their raid, actually brought tears to my eyes (I've never even heard of the British eating the Native Americans until I read this book. More genocidal things the world continues to hide from the people about what the Europeans, and British, among others who wronged these people, hide.). I continued to read the book until the very end which was satisfying in aspect of the word. I recommend this book to anyone who has a interest in Native Americans and their lives during the many wars that took place on the land they lived on.

This is a truly fasincating story told in a different perspective, through the eyes of a Native American. The novel shows us a totally opposite side of the stories and documents recorded and still used today in life. After I finally finished reading "The Winter People", I had an unique and new perspective towards the Abenakis. You will too, and I still do, hold a strong respect towards these people and their way of life.

I found this to be both an easy to read book, and historically accurate as well. Bruchac is an amazing writer, and teaches many lessons while the the story is told. This book should definately be read by middle school-high school students because it will help teach about both the native peoples and the Seven Years war, and help to wash away some of the stereotypes that have plagued native peoples for many years.
Justin

I discovered Tay-Bodal quite by accident and I just loved the book I read, which sent me out in search of other Tay-Bodal books. Alas, there are only four, and none currently in print. The stories are well-plotted, the style engrossing and humorous and the characters endearing (except for the villains, naturally). In addition to getting a great mystery, I also got a history lesson in each book and learned a great deal about the Kiowas and their tragic fate over 100 years ago. I also learned about Native American culture, their religion and medical practices. Why aren't there MORE of these books? That's what I want to know. They are just wonderful.

I love reading mysteries...and I read Death at Rainy Mountain by this same author. The authors style really captures the richness of each character and made me feel a part of the story. I couldn't put the book down until I finished it. Keep creating the Tay-bodal books there excellent.

In short, I am impressed with Ms. Medawar's novel. It is a pleasant read, with reasonably interesting plot twists and a good backdrop. I must admit that when I first began the book, I got the erroneous first impression that it would be another "new age" apology for the long-lost and noble Amerind culture of the Kiowa-Comanche; a point of view that I confess I do not share. I put the book down. I returned to it months later (this weekend) with a mind to read it no matter what, and was most pleased. It provides a fairly accurate (though perhaps a wee-bit sugar coated) depiction of Kiowa-Comanche camp life prior to the Red River War. Also, Ms. Medawar provides what I beleive to be an even-handed portrayal of the Kiowa-Comance ethos and ethic, warts-and-all. Perhaps most importantly, however, is the fact that she spins an enjoyable mystery with a most enjoyable setting and all-too-human characters. I strongly recommend this book.

Late in 1866, the Kiowas are starting to prepare their winter camp at Palo Duro Canyon, Texas when trouble besets the tribe. A renowned healer and seer, Skywalker, mysteriously disappears. Several horses are killed and just about everyone claims to have seen a shape-changing witch. However, all hell occurs when the wife of one of the chiefs suddenly, for no apparent reason, dies. Everyone believes the witch killed her. So when Tay-bodal's spouse, Crying Wind, accidentally gives too much medicine to an ailing infant, Red Bird convinces his tribesmen that she is the evil witch.

Tay begins to investigate what is causing the mishaps that are happening to his fellow tribesmen in order to not only save the life of his spouse but to save the tribe from falling apart. Instead of relying on special powers, Tay uses scientific investigative techniques to learn the truth behind the problems that have led to the tribe being on the brink of mass hysteria. However, by his inquiries, Tay has placed himself in danger with the conflicting political sides of the tribe and a dangerous individual who desires the truth to remain hidden. Still, the mischief maker does not understand that Tay loves his wife and nothing will stop him from insuring that the charge of witchcraft is proven false.

WITCH OF THE PALO DURO, the second novel in the historical fiction Tay-bodal series, is a well written book that complements the original novel, DEATH AT RAINY MOUNTAIN. Tay is a unique character, who approaches his investigations using deductive and inductive reasoning while being surrounded by superstitious individuals who seek mystical solutions to problems. The story line is interesting and the secondary characters add to the genuine feeling of a post Civil War nineteenth century tribe. However, this series is all about contrasting Tay with his peers and Mardi Oakley Medawar succeeds in her endeavor.

Harriet Klausner