Indian Books

"Standing in the Light: A Lakota Way of Seeing" is a print version of conversations between R.D. Theisz, a college professor, and Severt Young Bear, a Lakota singer, historian, and cultural traditionalist. "Standing in the Light" is a cornucopia of cultural information about the Lakota people. The book begins with a discussion about Severt Young Bear's relatives and ancestors, followed by a very brief history of the Sioux people. Unfortunately, the book went to press about the time Severt Young Bear died, in 1993.

"Standing in the Light" has four parts. The first section deals with names in Indian culture. According to Severt, names are of central importance in Lakota culture. Young Bear explains how the people received their names and what names mean in Lakota (his own Lakota name is Hehaka Luzahan, or Swift Elk). Agency officials anglicized Lakota names in the 1880's for a census on the reservation and then applied these names to descendents in perpetuity. This bothers Severt because it means descendents in his family do not earn their name, an important part of the Lakota life process. "Young Bear" comes from Severt's grandfather, who received the name to reflect his accomplishments in battle; he was a fearless warrior who fought like a bear when cornered. The name "Severt" comes from his father's war experience, when Severt's father befriended a Swede and promised the man to name his son after him.

The second part of the book discusses oral traditions in Lakota culture. There are some great stories in this section, like the story about Sio Paha (translated as the Medicine Hill). This place received the name Medicine Hill because in prereservation days it was the site of a test between powerful medicine men. The medicine men would practice their magic on each other in order to discover who had the most powerful medicine. Whenever a man was felled by magic, he was out of the contest. Severt discusses one contest where a heyoka (a sacred clown, or someone whose role in the tribe was to make fun of everyone else) won by practicing medicine he learned from the bumblebee. There are more stories in this section, all of which are fascinating and informative.

The third section covers Severt's career as a musician and his days as a member of the Porcupine Singers, a Lakota drum group who toured powwows and other important Indian gatherings. There are all types of songs in the Lakota world, from honoring songs to dancing and social songs. Many of the social songs helped Indians get together back in the days when the government frowned on Indian gatherings. The Rabbit dance is a good example of a social song. Rabbit songs are quite simple lyrically, but young people used to gather in someone's house to dance to these songs. Of course, all these musical gatherings required musicians, and this is where Severt brings in the importance of the drum and its role in creating and expressing the music. He also discusses how life on the road for the successful Indian musician is just as stressful as it is for any type of musician: egos get large, cars break down, and arguments over money usually ensue.

The final section of the book is Severt's examination of what is wrong with Lakota society. Young Bear turns out to be quite conservative as he discusses the problems of the reservation world. His arguments for a return to personal responsibility, a healthy diet, respect for the elders, and responsible childrearing not only have lessons for Lakotas, but also are important for all cultures. Severt's involvement in the American Indian Movement (AIM) and its stand at Wounded Knee in the 1970's, covered in some depth in the book, further highlights his concern for cultural issues.

At the end of the book, Severt sums up his reasons for agreeing to create this book. Severt believes every powwow or gathering of Indians has four circles. The first circle is the one in which Indians are dancing and taking part in their culture. As the circles move outwards, one finds Indians who are not as aware of the cultural activities going on in the first circle. The last circle, the circle on the farthest reaches of the gathering, holds the lost Indians, those who are afraid of learning about their culture and so lose themselves in drugs, loose sex, or alcohol. Severt wants to bring all of the other circles into the first circle, into the "light," so all the Lakotas may partake in their culture.

"Standing in the Light" is a powerful statement. For those who wish to learn about Indian culture, look no further than this book. I am surprised there are not more reviews of this amazing survey of Lakota cultural ideas.

There is a joke that one often hears when traveling within Native circles. The joke asks what is the average size of a Native Family? The answer is five, a father, a mother, a son and daughter and one anthropologist. It has been written that Native Americans are the most studied but least understood people on the Earth. Native author Michael Dorris states this thought in a more direct way. He writes that Native Americans are the most lied about people on the face of the planet. Much of this discontent with the written record about Native Peoples is due to the fact that much of this record has been recorded by Non-Native people and thus passed through a cultural filter that distorts the reality of Native experience and tradition. "Standing in the Light, a Lakota Way of Seeing," is a collaborative effort by the authors Severt Young Bear Sr. and Dr. Ronnie Theisz to record an account of the world view of the Lakota people that was written from the viewpoint and understanding of a person that has lived his life within the traditional culture of the Lakota People. Severt Young Bear Sr. was born on the Pine Ridge Reservation in 1934 and lived his life in the traditional community of Porcupine, SD. In his life he was a rancher, a ranger, a tribal councilman, a singer with and drum keeper of the acclaimed Porcupine Singers that appeared in the movies "Dances With Wolves, " and "Thunderheart," an instructor at Oglala Lakota College, and founder of International Brotherhood Days, a cross cultural forum that is held the second week of July each year at the Young Bear dance grounds just outside Porcupine, SD.. This book is a rare look from the inside of Lakota culture from one that lived within that context. The work touches on the past of the Lakota People, and focusses on the importance of traditions of the culture to the survival and identity of the Lakota Nation. As a self-styled student of Lakota culture I value this book as one of the most relavant books in my collection. Highly recommended. --This text refers to the Paperback edition.

Beyond feathers and bells, "Standing in the Light" gives non-Native people a glimpse some of the real culture and values of the Lakota people. What values are held in high esteem, and how do they work in the everyday life of the people, are just a few of the answers given. Long overdue for those seeking to learn the culture beyond the feathers and bells of a Powwow.

I am enchanted with this book, one of the most exquisite books I have seen in a long time. The Lakota way is a simple but universal way of living. It is a book I want to share with many.
I was blessed to share so many lakota traditions and even though I don't practice those traditions any more I have them in my heart.
This book just brought so many memories.

I had been searching for a book of Native American star lore, and hit the jackpot with this book: Stars of the First People by Dorcas S. Miller.

This book covers some Greek Mythology and whereabouts of the common constellations so that the reader has a basis to start with, and can find the star patterns mentioned in the book.
The book is then broken into sections of North America by going over the tribes that lived in each place. It covers not only that tribes star lore, but goes into detail about how each tribe lived, such as food/shelter/migrating habits, so that the reader can easier understand how certain elements follow into the star lore.

With over 300 pages of detailed information this is a wonderful book and I am happy to own it!

Curious about the stories that different Native American peoples told about the stars? Dorcas Miller's "Stars of the First People" will go a long way towards satisfying your curiosity. Focusing on the peoples of North America, she has pulled together a robust collection of tales and star lore and grouped them by region. Plentiful sketches, star maps, and charts accompany the text to provide a visual reinforcement of the material contained in the stories.

In addition to the star lore, Dorcas has also included a decent amount of background information on the individual tribes to help the reader better understand the context of the star stories. In the back of the book you'll find an extensive set of notes and bibliographic references for those interested in further reading on this subject.

Don Childrey, author of "STAR TRAILS - Navajo"

This is one of the most complete set of Native American star legends that I have seen. The author first reviews the standard Greek and Roman myths that have given us our constellation names. For each region of North America, he devotes an entire chapter to star legends from indigenous people that live in that region. At the end of each chapter he lists standard constellations and groups and the Native American legends behind each, and at the end of the book he provides an overall listing. Some interesting similarities come out - for example, the Big Dipper is a bear in standard Greek and Roman and in many Native American myths, and Sirius is a dog or wolf star in standard and in Native American myths. The stories are well written and can be used anywhere where storytelling is called for - for example, to groups of children. For a good summary of Native American myths, look to this volume. I just wish there was a similar compendium of ALL the world's indigenous star myths.

Dorcas Miller's book is a gateway into our North American sky. I have already given my first copy to a scout leader. Her organization is superb: sky-watchers can pick a star or constellation and use the reference guide to access all its stories; ethnographers can follow the chapter organization by region and tribe. I will annotate her lists as I add other sources and tales.

Miller starts with the conventional Greek constellations that still map our sky for professional astronomers, providing myth summaries and seasonal sky maps. Her stick figures of these constellations are a delight and I copy their details onto the daily sky charts from the internet.

Both the Greeks and our First Peoples filled their skies with peoples and animals. Only a few identities, such as bear and dog, straddle both hemispheres. Greek heroes and heroines may be banished forever to the sky by the action of the gods as punishment, or placed by a friendly god to protect them from the angered one. Animals and humans are often antagonists. I can't think of a creation myth. The dead didn't go there.

Our First Peoples connection with the sky seems ongoing and personal- get lost and you may wander into it. Die and you may walk up the Milky Way, past guides and obstacles. Suffer and you may find an opening to the sky or a rescuer who will take you into it; you may be homesick, come and go, but finally choose the sky. If you navigate by the stars, why not? It may be a refuge. The myths feel contemporary, the characters often ordinary, and creation feels recent. The animals may be small and hungry, brave or lazy.

Miller provides the myth texts as she finds them, supplementing with discussion and drawings- maps of their known or probable stars and historic diagrams such as rock art that may be relevant. The bibliography is broad. This book will be a good anchor for collecting other North American books coming into print or reprint. `

This is a great book !!..It is well written,informative and entertaining. many pictures,drawings and in depth information on just about everything..I also make my own primitive archery equipment and hunt with homemade bows/arrows which was my prime reason for buying the book.. I was very impressed with the in depth information in this area and as a primitive bowyer myself I can attest to the fact that the author at least has a good basic understanding of such archery.. Only those of us that are obsessed with such skills will know more than the author.. I can tell that it is not his primary hobby, but I can also tell that he is pretty knowledgeable on the subject..

If you are into primitive archery this section alone is interesting read( it is NOT an intructionional book, but is informative enough to give you good insight to how native bows were made)..

The book covers a lot of different topics and has very in depth knowledge of each area..

The author covers a wide range of survival skill subjects from the use of an atlatl to how a boat was made from tules. The book is filled with detailed information with cited sources. The table of contents is hefty and an excellent bibliography is provided. A must for anyone interested in survival skills of Native Californians from the past.

Pual Campbell's Survival Skills Of Native California is an impressive, scholarly, exhaustive, detailed compendium surveying more than 2000 California-based Native American tribal skills. Survival Skills Of Native California is superbly enhanced for readers, students, researchers, and scholars with almost one thousand instructional illustrations. Included are informative sections on all the basic survival skills, the tools of gathering and food preparation, the implements of household and personal necessity, as well as the arts of hunting and fishing. Survival Skills Of Native California offers the reader comprehensive, authentic, detailed information and instruction on how to live off the land and capably employ all of the varied resources of earth's bounty that enabled the survival of California's native population for millennia. Survival Skills Of Native California is a unique and invaluable acquisition for personal, academic, and community library Native American studies collections reference collections.

This book provides a fascinating and comprehensive glimpse into the daily lives of pre-contact California Indians. It is laid out in easy to use chapters that provide just enough information to be complete, but still include local examples and myths to add flavor to the narrative. My only complaint is that some of the skills are a bit complicated and are confusing to read. I guess you just have to go out to the wilderness and try it out! This is a must-read for anyone interested in California Indians and their history.

With this outstanding collection, editor Susan Cummins Miller has given us a remarkable gift: the works of thirty-four women writers who lived from the early days of the American frontier until midway through the twentieth century. Published in 2000 and commendably reissued by Texas Tech University Press in its full, original length, A Sweet, Separate Intimacy makes a vitally important contribution to our understanding and appreciation of the lives and work of women writers who would otherwise continue in the obscurity into which many of them have fallen.

With the exception of a few such notable writers as Willa Cather, Mary Austin, and Charlotte Perkins Gilman, the women represented here have not been read since their original publication. The search that turned them up was a "treasure hunt," Miller says, as she followed trails of footnotes and buried references to bring us reports from the wild places of the frontier, written by women who traveled the difficult roads sometimes alone, sometimes in company, but always in partnership with their pens. They wrote letters home, or wrote essays for publication, or wrote after the fact, but they wrote. And wrote, and--luckily for us--kept on writing.

Four of the writers in the anthology are Native Americans. More than half wrote before the years of the Civil War. One, Elizabeth Custer, wrote to immortalize her husband; another, Frances Gage, immortalized Sojourner Truth. The intrepid Isabella Bird wrote with her heart in her mouth about her climb up Long's Peak (what in the world was she wearing?). Caroline Kirkland wrote with her tongue in her cheek about the enormous lot of gear that was packed into the wagon that carried her and her family into the wilderness, "which we then, in our greenness, considered indispensable. We have since learned better."

All of these women writers had an appreciative eye for domestic detail. We read about adobe houses in Los Angeles (Helen Jackson) and the tents and earthen lodges of the Western tribes (Alice Fletcher), about food and gardens and husbands and children and births and illness and deaths, about women's hopes and dreams and disillusionments. Men don't record these homely details in their stories--they can't. Women do, at least, these women have, and it's a good thing, too, for how else can we know about the lives of real people as they heroically settled down to carving homes and schools and towns out of a wild land? I must personally confess to a happy moment of recognition when I turned a page and found a long poem by Rose Hartwick Thorpe, "Curfew Shall Not Ring Tonight," which I memorized as a girl for my own personal pleasure, because I loved the poem's story and its strong, ringing lines.

Miller has also given us brief but valuable biographical essays about each writer, placing her in the context of her time and giving us a sense of the shape of her literary work. These, together with sources, a full bibliography, and the rich treasures of the writings themselves, make for an extraordinarily powerful and unique volume. Many, many thanks to Susan Cummins Miller for an remarkable anthology that belongs in every collection of women's and Western literature.

by Susan Wittig Albert
for Story Circle Book Reviews
reviewing books by, for, and about women

From the moment I heard about the premise of this book I waited with anticipation. What joy that it fulfilled everything I expected. Susan is a gifted writer and brings these women's words to life. The book made me desperate for more, both in depth and scope. As easy to take as a novel, it is a history lesson - should I say HERstory - and then some. Superb work.

Susan Cummins Miller, a very gifted editor and writer, has scored a hit with this one! It should be read by every woman, young and old, desiring a woman's insight of the events of the West during its formative years. The book gives the reader a woman's perspective as to the hardships suffered along with moments of humor and the joys of discovery and exploration through essays, travelogues, poetry and letters. The editor has blended well a group of women writers who lived this age of discovery and settlement. Almost all the cultures in the West during the period are presented with their particular view of the events as they lived them. It is a unique collection and I wish I had read this book in college. It certainly would have broadened my horizons and complimented the materials presented in my history and literature classes. Hey, professors! You need to add this book to your must read lists. And, to the author, many thanks for finding a unique niche that had been missed and filling it with a great group of women writers, broadening our historical and literary minds and giving us one great book that can be enjoyed many times over. It will hold a sacred place on my bookshelf.

For the first time I really understand the role played by WOMEN in settling the West. This collection of writings by women of all cultures took me to that time and let me feel the joy, loneliness, laughter, exhaustion and fulfillment of settling a new country. It also let me see the life of the American Indian through the eyes of women for the first time. Excellent read.

This book really pushes the frontier of tandoori cuisine. Author's passion comes through in his research, notes, and recreation of ancient recipes. Highly recommended.

The book is nicely laid out. Starts by explaining about construction of tandoor. Talks a lot about the spices used. Tandoori chicken recipe is very original. Has lots of pictures. A must have Indian barbeq book.

The book is nicely laid out. Starts by explaining about construction of tandoor. Talks a lot about the spices used. Tandoori chicken recipe is very original. Has lots of pictures. A must have Indian barbeq book.

a must in a chefs library
a star in my collection
the pictures are excellent
some of the reciepes though improvised are still authentic
illustrations and history of the tandoor and its making guides and gives u an impeccable knowledge of this cuisine wanting u to share with others

again i dont hesitate to give a 5 star rating for the authors effort

There are only a few books specifically on the Wampanoag Indians suited for pre-K through elementary. While the text it a bit too much for a large group of children in the pre-K range (one on one would be excellent), the photos are great. Please check out Kate Waters other books which are excellent companions to the era: Sarah Morton's Day, Samuel Eaton's Day and the Mayflower.

We are big fans of Kate Waters' books about the Pilgrims (Samuel Eaton's Day, Sarah Morton's Day and On the Mayflower). When we discovered "Tapenum's Day", we were thrilled ! I found the 'point of view' from a young Native American boy to be both fascinating and educational, as did my children. We enjoyed seeing this historically accuate slice of life, written from a balanced perspective. I think this wonderful book rounds out the collection, including the other four, that no study of the Pilgrims should be without.

I am continually amazed at how children's books offer detail and insight into daily life that no stout history book can provide.

Writing the same review for the other two in this trilogy. Excellent all!

Another great book by Kate Waters. This book shows the daily life of a Native American child during the time of the Pilgrims. This book goes great with Sarah Morton's Day and Samuel Eaton's Day. Also, check out On the Mayflower also by Kate Waters.

Men have three souls and women have four souls, because women are the source of life. The Tarahumara call themselves the Rarámuri. They live in the Sierra Madre Occidental of northern Mexico where they retreated from the invading and bearded Spanish 500 years ago. (They call outsiders "Chabochi"; a "person with spider webs across the face.") Rarámuri means "foot-runner" or "he who walks well"; they are excellent long distance runners, very skilled on their narrow mountain trails.

The Tarahumara live in the Copper Canyon, or Barranca del Cobre, a group of six canyons, in places deeper and altogether larger than the Grand Canyon in the US. They constitute one of the largest indigenous peoples still living in the Americas, and have maintained many of their traditional beliefs and customs. Nevertheless their religion contains elements of Roman Catholicism, and Coke and instant Japanese noodles are now part of their every day diet.

This book, especially the second edition, is recognized as the most comprehensive study of the Tarahumara. The text is very sympathetic and many of the photographs are superb.

"The National Geographic" for November 2008 has published a wonderful series of photographs and a description of the challenges facing the Tarahumara, which include a modern airport, an expanded resort area, and the cultivation of illegal drugs.

"Geographic's" article echoes the text of Tarahumara: Where Night is the Day of the Moon:

"The choice of the Sierra Madre as a strategic retreat from the Spaniards all those centuries ago is both the gift and the burden of the Tarahumara today. Their ancestors weren't cowards or pacifists; histories recount violent rebellions among Tarahumara in less remote mission and mining centers, where colonists used them for brute labor while trying to press them into European-style village living. But as a people, the Tarahumara survived largely because of what a Sierra priest described to me as a gift for the evasive maneuver--and here the priest clapped his right hand over his left and then slithered the left out gently from underneath, like a fish slipping through a crack in the rocks."

I was fascinated to read this excellent introduction to the Tarahumara several years ago, and even more impressed to revisit it after reading the "Geographic's" excellent article. The magazine also published a GeoPedia article features online resources and an extensive bibliography.

Robert C. Ross 2008

Written with respect for the dignity and unique culture of the Tarahumara Indians, an indigenous people that live in the Sierra Madre Occidentals (Copper Canyon region). Lots of photographs (both black and white, and color). Although a paperback, it's quite large (pages are about 9"x11"). A "must-have" if you are going to visit, or have visited, Copper Canyon, Mexico.

If you like to have some insights regarding your travel destinations, then this is a must read prior to visiting the Copper Canyon. The Tarahumara are a very interesting indigenous group, but they will be very shy around you, so the only way you'll know (and hopefully understand) their values is by reading this excellent book.

In the northwestern portion of Mexico, in the mountains known as the Sierra Madre Occidental live the legendary Tarahumara. This is an indigeneous group who have been one of the most successful to resist the onslought of western civilization, beginning with the Spaniards conquest and continuing to this day. Seeing the pictures in this book is like taking a step back in time; they are a culture spared the shadow of time. The Tarahumara are known for maintaining their customs and traditions in spite of of an ever encroaching civilization and tourist trade. The Tarahumara are phenomenal runners who traverse , climb and descend the mountains that reach 9,000 ft. beginning as children and contuinuing into old age. Known for their long distance running they are incredible endurance machines that come from a genetic pool that used to carry letters 600 miles! A contemporary good runner can run forty miles with a steady pace over six to eight hours. This book is a fabulous tribute to the majesty of a proud people, complete with over forty color plates and nearly as many powerful black and white photographs. The book is not only a picture book but has a marvelous text that explains and details how this group has endured the harsh natural conditions as well as the invasion of "outsiders" who tried to indoctrinate them with religion and cultural mores. The simplicity of their home construction in the ranchos and the traditions that continue are an anthropoligsts dream. Some of the cultural traditions are fascinating and a wonderful testament to mankind. This is a good book to read prior to a visit to Mexico and journey along the Copper Canyon. The book aIso includes a bibliography and a glossary for further clarification and further knowledge. I would recommend finding the hard cover edition that is out of print if possible because the photographs are amazing and timeless reflections of a distant and persistant people. The color and black and whote plates are as magnificent aas the people they depict. The oversized edition is a cultural treasure. Regardless of the edition I would recommend this book to anyone who is interested in the people known as the Tarahumara who believe that a mans soul dreams and is manifested and works in mysterious ways at night while his body sleeps.

Both my parents were born and raised in Cuba and I am a first generation American. I remember growing up, my friends would come over my house and look in the pot of black beans cooking on the stove and say "ewwww...that looks gross!!!" Who would have known that when I grew up, black beans would be "trendy". :o) Anyway, I've always said that my mother is the best cook in the entire world and it's always been a challenge to get her to pass down her recipes, because she never measures anything.

Luckily, I stumbled across this book last week, purchased it and immediately went to my mother's house to get her "expert" opinion...are these recipes authentic? It was great to see the smile on my mom's face as she looked through the book. Not only did she give the thumbs up on the recipes, she loved the artwork. She said she usually uses more bell peppers than recommended in the book, because she thinks it gives more flavor and she said that sometimes she takes steps in a different order, but for the most part these recipes are just right! I can't tell you how happy this book has made me...knowing that I will be able to prepare the dishes I grew up with...it's really awesome!

I made the glazed sweet potatoes today to go with our Thanksgiving dinner and they were extremely delicious. Thanks to the author for the wonderful recipes and the artist for the beautiful artwork. I can't wait to make everything in this book!

Great recipes. Easy to follow. Genuine Cuban cuisine specific dishes -autentico- Will bring much "sabor" and "salsa" to your plate and cooking! You will never get bored in the kitchen with this book while bringing the goodness of the enchanted isle to your dinner plate. Enjoy!

Beatriz Llamas was born in Spain, ran cooking classes and a catering business while still a student, then worked at the Alambique Cookery School in Madrid before moving to Cuba, where she developed a keen interest in the local cuisine and culture. In A Taste Of Cuba, Llamas showcases an impressive culinary mix of cultures and ingredients associated with Cuba's complex history and natural resources originating with the Cuban Indians (cassava, taro root, corn, sweet potatoes, black beans), the Spanish colonizers (coffer, sugar, roasted meats and peppers), and African slaves (okra, plantain). All of these diverse heritages of foods fused into a vibrant new culinary culture. Illustrated with drawings and color photography, the recipes range from Taro Root Fritters; Avocado and Shrimp Salad; and Susana's Rice with Green Plantain; to Celie's Chicken and Corn Pie; Squash Pudding; and Soursop Champola Ice Cream. A Taste Of Cuba is an ideal addition to any personal or community library multicultural cookbook collection.

4/5/2005

A Taste of Cuba
By: Beatriz Llamas

A review by Marty Martindale

Just as our feet are itching to journey freely to the tastes and rhythms of colorful Cuba, our eyes can, at least, feast on the bright, lively illustrations by Ximena Maier in Llamas' A Taste of Cuba cookbook. This is also a chance to bone up on our menu familiarity once we again get to visit. In the beginning of the book, Llamas explains some of the details of the Cuban Table. Next she identifies frequently used ingredients.

Here's just a few of the dishes she tempts us with:

* A couple of interesting and very simple soups: Avocado Soup made with chicken broth, mustard and lime juice. Her Green Plantain Soup similarly calls for beef broth, lime juice and cloves.

* Jose's Ceviche uses king mackerel, onion, lime juice, olive oil and parsley.

* Fish in Escabeche is olive oil, onion, garlic white wine, wine vinegar, spices and fresh tuna.

* Glazed Sweet Potatoes is a combination of lime juice, brown sugar, cinnamon, butter and dry Cuban cooking wine.

* Her Apple-Flavored Banana Ice Cream is a simple recipe calling for apple bananas, lime juice, 7-year-old rum, milk, sugar, light whipping cream and egg whites.

* Black Boy in His Shirt is a rich cake made from cooking chocolate, butter, eggs, sugar, roasted peanuts and confectioners' sugar.

A Taste of Cuba is a pretty little Cuban book, only 139 pages, but filled with the little country's unique appetizers, soups, main dishes, side dishes and sesserts. Generally, it is a good idea to own a lime tree, if you live in Cuba ...

© Marty Martindale, 2005, Largo FL
mm@FoodSiteoftheDay.com

Roy Whenary, a poet and writer/producer of meditational music, brings thirty years of spiritual inquiry and primarily the influences of J. Krishnamurti, Nisargadatta Maharaj and Jean Klein, to produce The Texture of Being. The purpose of this book is to show how to practice Advaita in daily life. The intended audience would be those interested in serious, general spirituality-psychology. Refreshingly free of quotes by intellectual and spiritual giants, this book is about Roy speaking to the reader respectfully and with a poetic grace. Though divided into 19 chapters, and each chapter into about 4-6 readings, the reader may open the book anywhere and find immersion within a brief, self-contained passage. Here is an example:

"Everything that you feel attached to and everything that you own, including your sense of self, will end. When you enter deep dreamless sleep, this is what happens. But you re-awaken, with your memory intact. Then your struggle re-begins. However, there is no need to struggle in this life. Struggle is caused by identification with this bodymind mechanism and all that it attaches itself to. Stand back from all this. This will end. This has no ultimate reality or significance. In deep dreamless sleep, you re-connect with your true nature. This refreshes your mind-body mechanism, freeing it from the tensions and anxieties of the `person'. If you did not make this connection regularly, you would be trapped in the mind continuously, and the mind is a prison from which you already spend most of your waking life trying to escape."

The Texture of Being is recommended for those becoming familiar with self-inquiry and the literature of nonduality. Whenary speaks as a knowing, trusted friend or guide. His theme is how to practice Advaita in daily life. To develop the theme, Whenary's treatment of Advaita calls for feeling the texture of being, "the silent rhythm of your true nature", in all of life's situations. That's the hook of the book and it is free of philosophy, analysis, a method, a list of important points to remember, a mantra, an inquiry.

Though a person could find value in randomly reading a brief section and reflecting upon it, the greater value of the book comes out of how Whenary creates a rhythm between worldly entanglements and feeling the texture of being. As the reader engages the entire book, she gets taken into that rhythm and there is generated an intimacy with the true self and a greater understanding of what is known as "daily life."

It is difficult to illustrate that rhythm without quoting an entire chapter. However, for example, in the chapter entitled "Loving Kindness," the author begins:

"We live in such a self-oriented world, in which the general sense is that you have to go out into the world and grab whatever you can for yourself. From very early on in our lives we learn the philosophy of 'me and you' - me first and you second, or last. By the time we are adults, this attitude is so ingrained into our psychology that most of us probably find it difficult to actually comprehend what another person's needs or suffering feel like - we are so disconnected from our feeling nature, from our heart."

The reader can easily absorb and understand what is being said in this passage.

Although it might be said that Whenary is offering a method - "feeling the texture of being" - he is not so conclusive. He writes:

"So, where do I begin? Quite simply, there is no answer worth having. If we look at the elements of nature, does the wind ask where it first arose and does the water ask how it came to be flowing down the stream? Nothing is permanent, nothing stays the same, all is fluidity. Wherever life arises, consciousness manifests. We are this consciousness."

This book doesn't give the reader anything "to do." As stated earlier, there is no mantra, no inquiry, no list of recommended perspectives to have in this life. However, a reading of the entire book brings the reader into "feeling the silent emptiness of our true nature," feeling the texture of being, and that, according to the author, is how to apply Advaita - nonduality - to moment to moment living.

Jerry Katz
One: Essential Writings on Nonduality

This is an absolute gem of a book. Written in a smooth and yet elegant style, `The Texture of Being' is essentially a meditation on the nature of our true selves - the unlimited, timeless consciousness that unites all beings as One. Devoid of the technical language that normally hallmarks many texts on advaita (or nonduality), Roy's book considers the way in which we can balance living in the world with the knowledge that, despite all the stresses and strains of everyday existence, life is essentially a manifestation of something greater, untainted by suffering and change. And access to this underlying ocean of peace, of oneness, is available to all of us, right here, right now. `The Texture of Being' is a beautiful book and well worth savouring time and again.

"The Texture Of Being" points directly to the ineffability of "what is." It's a clear invitation to openly embrace your humanity in the light of who you really are ... deep down. Highly recommended.

Chuck Hillig (author of Enlightenment for Beginners, The Way IT Is, Seeds for the Soul, The Magic King and Looking for God: Seeing the Whole in One)

I found the Texture of Being a very down to earth, clearly written, book, which I think would be readable and understandable by most readers with even just a slight interest in spirituality - and advaita, in particular. The author offers simple, clear, observations that do make one stop and think. He also offers a practical approach to living the philosophy he writes about. Much recommended. Would appeal to people who have read The Power of Now by Eckhart Tolle.

I first read this book in a gift shop at the San Diego Zoo. The message is even more potent because the story is true. This book is the well-done, beautifully illustrated story of bringing the American Buffalo back from the brink of extinction. The story is engaging without being "preachy." There's a lesson for the future here, too. As a third grade teacher, I'm planning on using this book in the classroom to reinforce the idea that human beings share the planet with other living creatures.

I have been reading this to our reading buddy class of third graders now for a few years... I first read it at our local library and choked up. It is good for lots of academic reasons but is also engaging and has an unusual style and amazing illustrations.

No other animal represents the American frontier like the American Bison. To Native Americans he was a spirit messenger, sacred to their very existence. To them and frontiersmen alike the thundering, shaggy beasts represented food, clothing, shelter and fuel. And in a larger sense the massive herds represented the spirit of freedom in a new and untouched land.

In They Came from the Bronx, Neil Waldman recounts the fascinating tale of how this quintessential American animal was brought back from extinction.

Waldman speaks of the Bronx Zoo's "Mother Herd," and his curiosity as a child with the name. How could a captive herd of bison in the largest American metropolis, so far from the wide-open spaces of the Great Plains, claim such a title?

Waldman's story weaves an eloquent account beginning in Oklahoma, stepping back to New York City in the early Nineteen hundreds, offers historical facts about the bison's prairie reign and then it's back to Oklahoma where a Comanche grandmother and her grandson await a most improbable reunion.

They Came from the Bronx is technically a children's book but will appeal to children of all ages, from one to ninety-three, if you will. Beautifully illustrated and written, the book speaks volumes about the tragedy of man's irresponsible exploitation of wildlife but also offers a ray of hope that once mistakes are made and recognized, if we are careful and responsible, they can and should be rectified.

Douglas McAllister

I loved the poignant conversation between the old woman and her grandson. Her explanation of the disappearance of the buffalo builds to a very dramatic climax, that make us realize the seriousness of our country's past decisions. I reccommend this highly to anyone who cares about our past and future!