Shoes Books
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One of the best of the seriesReview Date: 2000-03-02
WONDERFUL!Review Date: 1999-11-28
not as good as his other books. it just wasted my timeReview Date: 1999-11-10
good, but not as great as his othersReview Date: 2000-01-13
Tennis shoes and the Feathered Serpent(book 1)Review Date: 2003-03-30

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Nothing terribly new here.Review Date: 2008-05-30
I suppose it was a lost cause to consider that a how-to-write book that focused on chick lit novels would have substantially different information on the actual how-to-write bit than your average how-to-write book. The bulk of it, in that regard, is the same, if lighter and shallower (Yardley does refer aspiring writers to some deeper and more involved tomes, to her credit). Where the chick lit leaning of the book comes in is in providing a pretty good list of chick lit friendly contacts-- agents, editors, presses, that sort of thing. Paradoxically, of course, all of that material will come in handy after you've written your novel and are ready to sell it; perhaps a more comprehensive subtitle would have been appropriate for the book? Certainly not the worst how-to-write tome I've ever read, but I was expecting more nuts-and-bolts type stuff. ***
Good For Writing Any GenreReview Date: 2007-12-03
All this, and yet it's still written in such a pleasant lighthearted style that you don't feel like you're reading a boring instructional manual, or, on the other end of the spectrum, an over the top book that treats writing as some sublime spiritual act. "Will Write for Shoes" actually makes you want to write!
This book pleasantly surprised me!Review Date: 2008-01-10
Not the best resource if you've already started writing your novel...Review Date: 2008-02-07
Absolutely perfect guide to creating an absolutely perfect novel!Review Date: 2008-08-14
Will Write For Shoes is a valuable addition to your library, and thoroughly covers the details of the chick lit genre. Cathy Yardley defines it, gives a history of it and fills readers in on the new trends. Just when you are ready to get to working on your own manuscript, she fills you in on premise (what is "high concept," anyway?), characters, structure, outline and much more.
Of course, there are many books out there that give the basics of how to create fiction, but Will Write For Shoes is the perfect tool if you long to create the chick lit that you adore. It's not a simple concept, but if you follow this author's advice you'll be well on your way to creating a finished manuscript that avoids the cliches, yet gives publishers the idea that they have a solid winner that will strike a chord with readers.
Don't pass up the opportunity to read and own this book. I promise you will refer to Will Write for Shoes over and over again during your writing career!
Thank you, Cathy Yardley for an entertaining, educational keeper of a book!

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This is..Review Date: 2007-03-15
Jeff MacNelly is a genius!Review Date: 2006-11-07
As for the book, I can't put it down. I have read it straight through about six times and I always find something new to laugh at. If you buy this book, you will too.
shoe-masterpieceReview Date: 2005-07-12
Very enjoyable!Review Date: 2006-02-24
For fans of ShoeReview Date: 2005-10-09
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timely and importantReview Date: 2000-10-23
Outstanding Expose on Culture & Christians Role in ItReview Date: 2001-01-12
Well-researched critique of popular culture's form and main mediumReview Date: 2005-09-09
This book is a serious and stern critique of popular culture and it's main medium: television. Although some reviewers of this book have considered it a little highbrow, if not extreme, to be useful, I would wholeheartedly disagree. If you feel that way by the end of chapter two simply read it like you would Kierkegaard- "don't be put off by the hyperbole or generalizations, he's making an important point so don't miss it."
Meyers main thrust in the book is that post 60's there is a firmly established thing called popular culture mediated to us in images and that this cultural medium is making us dumber. He argues popular culture, in distinction to folk culture and high culture, does not do what the great artists of the past did, and that this is often true because it is the product of jaded marketers instead of real artists. The artists of high and folk culture tended to draw us into human universals. They stretched us, and experiencing their art was a human exercise of the mind and affections. We had to work at it to understand and we experienced either a clarification, a deepening appreciation, or a revelation of something we somehow didn't know but knew we should have known. The artist helped us become more human by drawing us into a more developed experience with a human universal.
Contrary to this, popular art does not do this with nearly the same frequency or depth. It is immediate, easy (not an exercise of growth), it markets to us what we already know, and deals mostly with trivialities- or treats serious subjects trivially, and communicats a form of knowledge that is immediate rather than reflective, physical rather than mental, and emotional rather than volitional. Meyers argues this is true in the degeneration of high cultural art forms, but even more so in the transition form what Neil Postman called "print-based epistemology" and "television-based epistemology", or what Jacques Ellul has called "the humiliation of the word". Because television holds to the main medium of images, it does not communicate linearly or logically. As Meyers says, "images cannot make an argument", they are at the mercy of the response of the viewer, and whatever the viewer transfers onto the images.
Throughout the volume Meyers brings us to the right discussions. How the medium effects the message, the nature of post-industrialism boredom, the contrast of Montaigne's and Pascal's theories of leisure and diversion and their effects on culture, the concrete differences between high, folk and popular culture, the effects of the 60's on the transition to image based cultural discourse, the liberating and isolating effects of "Liberalism", tension of Romanticism celebration of the primitive and Rationalism's triumphalist machine of secular scientific progress effected the development of rock music, and on and on and on.
Negatively, There are many places I wish Meyers had argued as if we were not agreeing with him as he asserts things. Truly, his authoritative sources are very good ones who say what they say compellingly, but there were a bunch of places I wanted more explanation of why something is the case. I wanted more reasons and more development.
Concerning recommendation, this book is no doubt written with an evangelical Christian readership in mind. Yet, Meyers is no homeowner in the Evangelical intellectual ghetto. This book could be read much more widely with profit, and I would recommend it to a non-Christian reader without hesitation, not because it is evangelistic; but because Meyers is a Christian who can think and clearly has. And I think one of the greatest weaknesses of the libertarian and liberal intellectual projects today is a misunderstanding of the teleology of culture and the inability of the free market or the secular liberal to make a culture good. Meyers offers a meditation that is inclusive and should not be alienating to the non-Christian reader, though it is distinctively Christian. Most can take away something important from this book.
In short I recommend this book highly because Ken Meyers has actually though more than ten minutes about orthodox Christianity and how scriptural religion affects our understanding of culture. So many American Christians are in his words "of the world but not in the world" (the tongue in cheek opposite of the biblical injunction to be "in the world but not of the world"). Meyers simultaneously calls Christians out of the evangelical ghetto where we copy everything we liked in the "secular world" and make it, to use Derek Webb's category, "explicit" (meaning we dumped explicitly Christian lyrics into rock riffs we like, etc) and yet he also does not call us to drink deeply from whatever popular culture offers us (For example one might see that a Christian might want to avoid most of the summer block busters that feature mostly flesh and fighting, but yet see universal human art in films like Fight Club or Unbreakable or The Village).
In short, it may be true that we (contemporary Americans) are being controlled by those who seek to inflict pleasure on us, and that it is what we love that will ruin us. (in case that sounds like fundamentalist ramblings, that is almost a direct quote from Aldous Huxley as quoted by Neil Postman)
This is a refreshing book, with a great bibliography and a refreshing reach outside the common Evangelical sources.
A fine and much-needed look at pop culture and the ChurchReview Date: 2002-10-06
This book is so needed today. So much of pop evangelicalism and even the mainline churches have unwisely and unthinkingly schmaltzed the Church's glorious message into a dumbed-down, styrofoam, homogenized pop culture framework and are submerging the Church's heritage into it. (See Marva Dawn's book "Reaching Out Without Dumbing Down"). I refuse to listen to my local Christian radio station because they've pretty much pancaked their format to just watered-down pop Christian music, pretty much devoid of hymnody or anything with any history to it. What if the World War II generation had demanded that the Church's glorious history and hymnody be replaced by Lawrence Welk-style tunes? That's exactly what's happening today.
Read Myers' book to find out the values of popular culture and how they compare to high and folk cultures. This book will provide you with much great background, and, most importantly, helps you to think Christianly. It's creative, intelligent and a very enjoyable read.
Valuable but ready for an updateReview Date: 2007-01-20
As valuable as this text is, however, the huge cultural changes that have continued since the book was written in 1989, especially the impact of the Internet, iPods, etc., call out for a much-needed update. In addition, the book's arguments are sometimes weakened by Myers' tendency to equate "culture" (versus "pop culture" which he generally pans) with only "classical," European and American music, painting and sculpture. Nonetheless, this remains essential reading for anyone interested in popular culture and its influence on thought and behavior in today's society.
With the need for updating and the less than expected acceptance of culture from other backgrounds, this very good text only earns 3 stars.

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Great gift idea.Review Date: 2006-06-30
Nice read :-)Review Date: 2006-05-21
This is an interesting collection of different lenght essays from various people (Donald Trump could only manage to write one page), talking about the ups and downs of their upbringings and how they now think of their dads. I loved to see what Katie and Matt and Ann also had to say.
This is a great gift for Fathers Day or just a birthday for him or yourself. It's interesting and fun and you'll laugh and cry and overall, you'll enjoy it.
Big ShoesReview Date: 2006-06-03
Not Only For DadsReview Date: 2005-06-18
Both books make a great gift for year round giving and my dad, will get his own copy of both on his birthday, maybe even one for Father's Day. He keeps the kids for us and is like a dad to the two oldest anyway. I'm not sure if people would think of these two books as gifts for the people that they are really not marketed to, but I find it's good for husbands to read family books and grandparents too and the same with Big Shoes, moms should read it and granddads too. Just my opinion as our family adores both books. Great gifts!
Great Book!Review Date: 2005-07-17
Lots of different passages written by many different well known stars, but never too cute. Just right!

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BEAUTIFUL SKETCHES / GREAT FOR THE COFFEE TABLEReview Date: 2008-09-06
Manolo Blahnik DrawingsReview Date: 2007-04-04
love itReview Date: 2005-11-16
Great Designer, Great Layout, Great BookReview Date: 2003-12-22
good bookReview Date: 2004-11-10


Terrific Guide for Beginning Pointe Dancers, Teachers & Moms Review Date: 2007-07-04
A remarkable manual and examination of ballet dancing Review Date: 2004-11-13
Excellent Resource For Returning BallerinasReview Date: 2007-05-13
I purchased this book because I am getting back into ballet after several years out due to non-ballet related injuries. I found a lot of useful information, but there were a lot of things that I also wished that the book had included, or had talked more about.
If you have absolutely no experience in ballet, or are not taking any training or don't have an experienced ballerina handy to answer questions, this book is going to be a bit confusing. It is excellent for giving you contact information and company and product reviews for ballet gear providers. However, I did notice that the information contained in the book on some of the companies and their products, particularly regarding pointe shoe sizing, differed markedly from the information provided by the company/manufacturer on their on websites. I would not rely only on the information contained in this book if you are going to purchase pointe shoes using this information. If you are going to order via the internet or mail order, please take the time to either visit a store for a personal fitting, or else contact the manufacturer via telephone, e-mail, or look over their website. Just by chance, I had recently purchased a new pair of pointe shoes by one of the makers listed, and had I used the book's size guide, I would have purchased shoes that were no where near the correct size.
It is an excellent resource for those that are taking class and have instructors to turn to for further explanation, or those that have some degree of en pointe experience. I do wish that the dance sequence sections had been a little more detailed; that section was a big disappointment as I found it was not anywhere near as marvelous as it had been billed.
Overall, there's just no real substitute for an en pointe class with a real, live, knowledgeable instructor in front of you to answer questions. Yet, I wouldn't just write this book off, and I don't think it was a waste to purchase it. It does highlight some good points and information, but it could be a whole lot better--and more complete.
Everything you need to knowReview Date: 2006-02-27
The pointe bookReview Date: 2004-07-30


One of my favoritesReview Date: 2005-11-24
The Gold ShoeReview Date: 2002-03-10
Nice old fashioned story!Review Date: 2005-05-01
Good Clean Christian Love StoryReview Date: 2002-03-20
The Gold ShoeReview Date: 2000-06-08
I have read many of Grace Livingston Hills books and i actually have not found a one i didn't like.

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Basic color/object learning book for babiesReview Date: 2008-12-28
babybookmamaReview Date: 2005-08-22
Our household's all-time-favorite toddler bookReview Date: 2004-01-16
Not as Popular the Black/White Books at Our HouseReview Date: 2000-06-20
Despite the catchy, rhyming title, each page shows only a picture of the item: No rhyming text is involved. Although my son likes the brightly colored pictures, he is more interested when I read books with rhythmic texts, such as "Blue Hat, Green Hat" by Sandra Boynton.
Great baby or toddler bookReview Date: 1999-12-06

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A little disappointingReview Date: 2008-01-18
Fabulous kids bookReview Date: 2006-11-30
Great to Read Aloud!Review Date: 2003-02-11
A Must for ChildrenReview Date: 2002-11-01
LOVE it!Review Date: 2001-05-19
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Exciting time for the Hawkins clan.
As for the history, it takes us back to the days in America right before the coming of Christ. Setting: the wicked city of Jacobah.
It's a passionate and wild jungle setting. The pace is fast, and Heimerdinger actually let a different character help narrating (he continues to do this the rest of the series, and it's fun!) There is danger, heartache, and romance, everything we need for a great adventure.