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An excellent book about youth and how we become adultsReview Date: 2007-08-23
Strong story - Male perspectiveReview Date: 2005-05-20
A guy bookReview Date: 2005-04-07
Read it!Review Date: 2005-05-02
Don't miss this if you have an interest in the human heartReview Date: 2005-03-30
So why read a memoir of someone who is not your husband's cousin, someone who has never committed a serious crime or slept with movie stars or been present at a Big Moment in History? Someone whose physical scars all come from silly accidents, someone who grew up in Kansas, for goodness' sake? The facts of Steven Church's life would hardly qualify him for a one-page piece in People Magazine.
Read this memoir because it is a true (although maybe not always factual) story. Because it is funny, inventive, touching, real, tough and beautiful. Read it because it will make you want to know Steven Church, because it will make you feel that you do. Read it because his musings about Guinness Book record-holders are as real and intimate and fine as what he tells you about his own battered heart. Read it because it is superbly crafted--WRITTEN, not just WRITTEN DOWN (I do not have the luxury of italics here).
So READ it for all those reasons, but BUY it because someday you will be proud and glad to own a first edition of the first book by Steven Church.


Review on the Number FileReview Date: 2003-11-04
Review on the Number FileReview Date: 2003-11-04
Great and excenteric- Espn the Magazine
Best novel written by Franklin W Dixon- Time Magazine
It was a very good book.Review Date: 1999-06-24
this book is definetly an intendively exiting bbokReview Date: 1998-08-31
Hot water in the bermuda triangleReview Date: 2003-09-24
When the Hardys spy on Kruger's villa, one of his thugs spots them. Before they know it, they're being tailed by a black sedan and run off the road into the ocean! This is not the act of an innocent man. Their vacation ruined, Frank and Joe resolve to nail Kruger. But he's onto them, and he has other plans - like arranging for the brothers to vanish in the Bermuda Triangle.

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Great gift setReview Date: 2008-08-07
Read these when I was a kid...Review Date: 2008-08-03
Still good after so many yearsReview Date: 2008-02-13
He just finished the second book in record reading time. Even though these books were written quite some time ago, they still can appeal to kids today.
Hardy Boys starter setReview Date: 2008-01-18
Non stop actionReview Date: 2008-01-21


Quick, Engaging ReadReview Date: 2007-12-19
Good book --enjoyed it!Review Date: 2007-12-05
I liked the book Harvard Boys.
The book brings out the realities of baseball (good and bad). The book illustrates that baseball management people really are not very bright and are poor judges of talent. Baseball management think a pitcher has to throw 90+ miles per hour or they are not a prospect --tell that to Jamie Moyer (he wouldn't even get a looksee tryout today.
In the book Wolff talks about how baseball is a game of rhythm and about being in the groove, yet guys are signed and then cut within days or a week... Players need a chance to settle into the surroundings and get 200 at bats to really be evaluated.
A smart guy like Rick Wolff proves himself in spring training hits .300, does all the right things and yet still gets cut without a legitimate shot. -----That is not logical..
Baseball is run by old school thoughts and practices. Baseball needs to get rid of the good old boy system and update its evaluative techniques. There must be a place in baseball for smart guys from Harvard "who can play".
Bottom line: When the book ended, I wanted to keep on reading....Enjoyable!
A Masterpiece.Review Date: 2007-11-07
A great book - I would definitely recommend it to anyone!
Hahvid BoyzReview Date: 2007-11-05
Instant Classic!!!Review Date: 2007-11-05
-Ian

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Hellboy Volume 2 Hard Cover editionReview Date: 2009-01-03
In all this is a high quality book that will make just about every Hellboy fan jump for joy to get their hands on this volume and its companion volume. Hellboy is one of the more fascinating characters to be developed by Alan Moore, and goes back to many of his roots with 2000AD and work that he did previously. There are excellent story lines, wonderful art, sturdy and very durable to tolerate a lot of reading or general book abuse. The story lines are assorted with Hellboy traveling the world solving problems and generally thumping the bad people. What is nice is that these are really collections of many of Mignola's shorter stories, with a continuity to make them all make sense to the reader.
One of the better Hellboy collections out there, well worth getting and holding on to, both volumes make an awesome present or gift to anyone who has any interest in Hellboy at all. This book is a 5 star book, well worth getting, reading, owning, and enjoying.
HellBoy RulesReview Date: 2008-11-24
Finally: Hellboy in HARDCOVER.Review Date: 2008-11-19
The right hand of.... maybe doom?Review Date: 2008-12-21
And by "odd jobs," I mean brief paranormal cases involving fairies, flying hunters, homunculi, "pamcakes" and disembodied heads. "Hellboy Volume 2: The Chained Coffin and The Right Hand of Doom" collects two volumes' worth of the demon anti-hero's assorted adventures, ranging from a fairy changeling to a devilish plot to conquer the world. All in a day's work.
Assorted short stories take Hellboy all over the world, and confronting many different problems -- a baby kidnapped by the faery folk, underground fiends, the malevolent witch Baba Yaga, a werewolf trapped by a centuries-old curse, the Saint Leonard worm (a dragon), a spectral huntsman followed by berserkers, a Japanese house full of bouncing heads, a seance gone horribly wrong, and the supervampire Varcolac.
And Hellboy heads to the ruined church where he was found -- only to dream of a dying witch, her holy children and a devil that sought the witch's "chained coffin." Turns out it has something to do with Hellboy's own origins. Not to mention an ancient, mysterious drawing provided by a priest of the "right hand of doom" -- which looks suspiciously like Hellboy's own hand.
And two bigger jobs loom over Hellboy -- after losing her fire powers to a strange homunculus, Liz Sherman is slowly dying. To save her, Hellboy sets out to find the homunculus, only to find that his crazed megalomaniac "elder brother" is planning to use Kate to bring a new, vast homuculus body to life.
And a demon (which looks suspiciously like a housefly) sealed into a box is stolen from a secret compartment, and is soon "serving" a human master. Turns out they want to lure Hellboy to that place, in the hopes of stealing the evil, apocalyptic powers that he has already renounced.
Mike Mignola is awesome at full-length graphic novels, but his shorter works are even better -- these are lean, compact little action stories with nothing more or less than they need. And it's sort of nice to see Hellboy's more ordinary cases -- if you can call these ordinary -- with foes like a changeling, a werewolf, the fairies and even a dragon.
Mignola's writing doesn't suffer from the shorter format, especially since he happily adapts some folktales to fit his world (legends, fairy tales, saints). There's wonderfully sick dialogue ("I'VE LOST MY ARRRRRRMMM!" "I'm sorry. Really. But... do you really need it? I mean, you're already dead and we've gotta go...") and some poignant moments (Hellboy musing on his "destiny"). Naturally, also plenty of bloody, horrific moments including a a chapel haunted by werewolves, a vampire that can "eat the moon," and a man turning into a giant lizard.
Hellboy is basically your average investigator in most of these stories -- he goes in, gets the job done and fixes things (occasionally being mistaken for Father Christmas). He's a nice straightforward kind of guy with a gruff manner, but Mignola reminds us at times that he has some unhappier facets ("You know how I live? I never deal with what I am").
And Mignola gives us some glimpses into where the "favorite son" may have come from, and the destiny he is still determined to avoid forever. It's pretty ghastly at times. At the same time, we get the hilarious "Pancakes" story, in which Hellboy's reluctant first bite leads to, ahem, hell-raising results.
"Hellboy Volume 2: The Chained Coffin and The Right Hand of Doom" collects many of Mignola's brilliant briefer stories, with a full range of Hellboy's smaller-scale cases.
Halloween is here early!Review Date: 2008-10-12
Like other readers I was disappointed with the original HELLBOY softcover editions which would fall apart after a few readings due to poor bindings but these new versions are sturdy and will look amazing on your bookshelf. The mistakes of the past have been rectified and the new editions are so different that even old fans will marvel at the way the HELLBOY tales flow across the canvas. The vast pools of black paint now almost resemble liquid velvet. And the reds erupt like pulsating lava. The book throbs in your hands!
Mike Mignola's art has never looked this gorgeous. Absolutely lovely, rich and gothic. Get this baroque horror book now and while away the dark autumn evenings as we head towards All Hallows Eve.

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If you have sons or teach boys...buy this book!Review Date: 2008-04-04
I am also currently earning my teaching certificate and plan to use strategies in this book with my future male students.
Excellent perspectiveReview Date: 2007-12-03
Fostering Success in Boys - a GuidebookReview Date: 2006-12-04
Neu and Weinfeld show how improving reading and writing skills helps boost a boy's self esteem which carries over to other subjects in school and extra curricular activities. They explain how the current push on reading and writing has negatively effected boys in the classroom and how to make this push a positive, successful experience. Coaches, mentors, multi sensory activities, karate or football, writing about what the boy is obsessed with, using movies, drama, assistive technology, and audio books are a handful of things Neu and Weinfeld touch upon. These ideas work.
There is a chapter on alternative education ideas for when the typical school classroom does not work. In this chapter there is a checklist with Q and A parents can use to devise a successful school model for their children.
Each chapter concludes with comprehensive lists to help you use what you have read - from strategies to help your boy succeed in the classroom to a table reviewing the most common sports for boys in the US which includes things like "physical demands, skill requirements, equipment costs, level of motivation for success etc." This book has given me insight into the importance of mentors and coaches and what to look for in each for the future.
Neu and Weinfeld talk about the "Cracking the Boy Code" which looks at gender stereotypes and how those affect boys. Informative.
A book I will refer to throughout my children's education.
A Must Read for Any Parent of School Age BoysReview Date: 2007-02-10
Helping Boys Succeed in SchoolReview Date: 2007-02-07
Linda R. Prueter

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Lou Pearlman is a Big Fat Liar!Review Date: 2008-12-12
Accent on CHARADE!Review Date: 2008-12-06
Big TimeReview Date: 2008-11-29
A sometimes eerie read amidst all of the financial turmoil and Wall Street finger pointing happening, as I realized that this gargantuan liar that was Pearlman, squandered so many fortunes in front of the hot-lights and spotlights of media; with nobody the wiser till it was too late. I closed the book scratching my head and wondering how could this happen? How could this be done unnoticed? Who could do such a thing? Gray avoids speculation as to the motives of Pearlman, and delivers the goods so readers can do their own soul searching as to why another human could intentionally murder the financial lives of so many.
It just plain read well. Tyler Gray's "The Hit Charade" took me on a walk around a carefully constructed web of lies and kept the balance while delivering the facts amongst the spins and yarns that fell from the chubby faced fake. In the end, with all of Pearlman's pandering to be dubbed "papa" by his victims the only thing he managed to father were his lies. Take a bow fat man.
Fascinating story of a con manReview Date: 2008-11-26
A great read....Review Date: 2008-11-21
I read the whole book quickly..within a span of days. Once you start, you dont want to put it down. Whether it's reading about Pearlman's failed blimp business (yes, you read that right) to differing accounts of whether the felon actually wrestled nude with his boy band charges, it's all told in a voice that compels you to turn the page.

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Thank you Tony for sharing your story with us.Review Date: 2007-08-07
To think Father Foley has never been charged and is free to molest more boys is insane. Let us all wake up to this now.
Heartbreaking, but a great book Review Date: 2007-06-06
I was amazedReview Date: 2007-06-04
Great Read!Review Date: 2007-05-16
Why are they still around?Review Date: 2007-04-15
This book touched me deeply. I finished the book in two parts. I'm so glad Tony wrote this book no one really knows what these priest did, only thing we hear is that the church is paying hugh amounts of money. His story blow me away. After reading this book I logged onto Tonylembo.com to find all kinds of media attention on this book. When I realized that this priest is still living the life, driving the same car I was stunned and sick to my stomach. If your children aren't safe with the priests of the Catholic Church who can we trust?

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THIS BOOK ROCKS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!Review Date: 2004-04-09
I liked this book because it's a really good mystery book. Finn stays with uncle Stop because his parents have been in Ice land for 7 years! This is the greatest book ever. So read the book!!!!!!
The beginning of an enthralling seriesReview Date: 2003-04-12
Killers and thieves, stolen gold and excavations, a boy and a nutty writer... culminating in a family secret. But mostly this whet's Finn's tongue for adventure. He won't stop until his parents are home and safe, however many books that may take.
I truly enjoyed this book, it is the start of a series I hope doesn't end any time soon.
Very funny!Review Date: 2001-02-18
Clever and wittyReview Date: 2000-07-20
Wonderful new mystery!Review Date: 1999-09-19

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New challenges.Review Date: 2006-12-10
Award winner author Graham Salisbury has written another page turner.Review Date: 2006-09-15
THE HOUSE OF THE RED FISH pulses with energy, enthralling images, captivating narrative and most of all, empathy for the downtrodden.
THE HOUSE OF THE RED FISH is the house of Tomi, his little sister, Grand'pa Joji, his mom and dad. A flying red paper Fish on top of the house is a Japanese emblem for a happy family in times of peace. They live on the property of the Davis family, home also to Keen who is a bully. Keen also hates Tomi and his
family because they are Japanese.
The narrative takes place in Hawaii just before and after Pearl Harbour, when Japanese-Americans were perceived as the enemy.
After his dad and grand'pa Joji were incarcerated as prisoners of war, Tomi has one goal and that is to retrieve his fisherman father's sampan that was sunk because it was Japanese. A great deal of imagination and creativity must be used in order to bring it back to the surface. Without doubt, Keen will find ways to stop him from reaching his goal. Surprisingly, grand-pa Joji returns, as he was saved by Mrs. Davis and he secretly guides his grandson on how to save the sampan for Keen's dad, whom he hopes will soon be out of the concentration camps that were built for Japanese-Americans.
Tomi, his little sister and all his friends show a sense of camaraderie that one can really feel in Hawaii. In fact, Graham Salisbury's family has lived in Hawaii since the 1800 which makes him well versed in the lingo and the sense of friendship that exists among them.
THE HOUSE OF THE RED FISH conveys a message of understanding the perceived enemy in times of war. He also conveys a sense of pride in one's heritage.
The author's style is entertaining and endearing. We get to root for the good guys and boo for the bullies. Dialogue is fast and witty. Characters are so true to life that you will find yourself cheering for the winners.
Graham Salisbury's foray into a delicate subject is highly recommended.
Lily Azerad-Goldman, Artist and Bookreviewer for Bookpleasures
Tomi and Billy Face New BattlesReview Date: 2006-08-25
Early in the novel, the boys amble down to the nearby Ala Wai Canal where Papa's sampan, sunk by the U.S. Army one day after Pearl Harbor was attacked, is still visible just below the surface of the muddy water. The boat quickly becomes a symbol of the way life was before the attack ("in the before time"), when Tomi, Papa and Grampa Joji were together before the Army took Papa and Grampa away to U.S. Army prison camps. It also represents Tomi's personal war, which Salisbury adeptly counterpoints with the Big war of the real world. The novel follows Tomi engaging in his battles against the backdrop of the bigger war; we see the young dragon in the making carrying on the traditions of his ancestors; even at the end of the novel, Salisbury leaves Tomi still at war: "How many more battles stood between me and the day Papa would finally come home?" (287)
As Tomi and Billy battle to raise the Taiyo Maru from its muddy prison, their conflict with Keet Wilson and his blatant prejudice against the Japanese crescendos. Salisbury incorporates many details of Japanese culture and values. (Note: Salisbury includes a helpful glossary of Hawaiian and Japanese phrases and words at the end of the book.) The mantra Tomi remembers from his father, "Don't shame the family. Be helpful, be generous, be accepting," shows the importance of this and other values being passed from generation to generation (15). Family treasures such as the "family katana or samurai, symbol of our family's long history" had to be hidden to protect them from being confiscated by the government. Anything deemed "Japanese" could cast suspicion on the family's loyalty to America. Nevertheless, Keet seems to take every opportunity to cast aspersions on Tomi's family, culture, and values.
The title of the novel (and related title of Chapter 29 "The Red Fish") comes from another Japanese tradition: the "Koi-nobori. Carp made of paper looking like kites" hanging from a bamboo pole above Tomi's house for Boys' Day. Tomi tells us: "The four colorful fish streamers" represent the family: "Just below Papa's and Mama's blue and white ones was me--the red fish, a dragon in the making" (134). This tradition is vibrantly depicted on the novel's cover, too. The red splash of the third carp and the red letters of the last words of the title draw the reader's eye to this important part of the predominantly blue and green cover illustration.
HOUSE OF THE RED FISH focuses on themes and positive character traits in other novels by Salisbury: the relationship between father and son, the importance of tradition, and values such as integrity and perseverance. HOUSE OF THE RED FISH includes several father and son relationships; however, it is Salisbury's contrast of Keet and his father's relationship with that of Tomi and Papa that makes the strongest statement. Keet's father seems oblivious to even his most destructive acting out, but readers get strong sense that Tomi's father will someday be proud to see that his son's overriding motivation was to act as his missing father would want him to ("This is all for you, Papa, I thought. All for you.") (213).
Rich discussions could certainly flow in class or small reading groups from issues such as these in HOUSE OF THE RED FISH. Because Salisbury's characters are so believable, so human, middle school readers can relate to their conflicts and see similar situations in their own lives. I highly recommend this book not only to young readers who enjoyed UNDER THE BLOOD-RED SUN but also to parents and educators who want to point their charges to a well-written, engaging, inspiring, historical novel.
Exploring the Nuances of PrejudiceReview Date: 2006-08-02
The attack on Pearl Harbor didn't only steal Tomi's father and grandfather from his life (they were arrested after the attack). It stole his dream of fishing with his father on his father's boat, the Taiyo Maru, which is sitting now underwater, sunk by the Navy under suspicion that it and its owner might aid invading Japanese forces.
Tomi wants to bring the boat back to the surface and dry it out so that it's ready to sail out to sea when his father returns home from prison. Tomi also wants to make his absent father proud... to carry on the Japanese tradition of sons honoring their fathers.
To succeed, Tomi must persevere in the face of trouble just like the koi-the fish that symbolizes masculinity and strength because it can swim upstream against strong currents.
But it's not easy for Tomi to remain loyal to his family's Japanese heritage or his father's admonitions not to fight, not to shame the family, especially when the red paper koi that his mother raises on a bamboo pole above the roof to celebrate Tango-no-Sekku (Boy's Festival) is destroyed.
Tomi's relationships with his friends, a mix of haole (white), Portugese, Hawaiian, and Japanese boys, ring true to life as they fend off attacks by a white-only gang, and work together to raise Tomi's father's boat from the canal.
In the end, House of the Red Fish is a book about the joy and bonds of friendship, as well as what it truly means to look beneath a person's skin color and speech patterns to understand what he's truly made of.
It's also a story about one boy's struggle to live with integrity in the face of enormous prejudice, while offering eloquent testimony to the courage and loyalty displayed by Japanese Americans during a difficult time in American history.
One fish, two fish, house of the red fish, house of the blue fishReview Date: 2006-08-09
Tomi is still dealing with the fact that his father and grampa are interned far from home merely because they are of Japanese ancestry. It's 1943 and America is at war with Japan, many of its white citizens terrified of their Asian neighbors. Living on Honolulu, Tomi and his best friend Billy go to school and try to avoid the nasty bully Keet, who (by awful coincidence) just happens to be the son of his mother's employers. Then Tomi comes up with a crazy plan. It happens while he and Billy are staring at his father's underwater sampan fishing boat, sunk not long after the attack on Pearl Harbor. If Tomi can raise this boat and fix it up, he may have a chance at having it in working condition when his father is finally released from his internment. The only problem is that Keet knows of the plan and will do everything in his power to stop Tomi and his friends. Worse still, raising the boat might mean putting his family's home and livelihood in danger. But when Grampa Joji is released from his imprisonment, Tomi finds an unlikely ally in helping him achieve his goal.
The characters in this book are remarkable. And the best of these, without a doubt, is Grampa. He's a cranky crochety old man with a single-minded tenacity that the reader grows to adore. I personally am going to adopt his standard phrase of "Confonnit" into my own vocabulary. Grampa has a great sense of pride, worth, and history. Salisbury complicates things nicely, however, when he has Grampa repeatedly give some of the family's chickens, eggs, tomatoes, lettuce, string beans, and fish to their landowners, the nasty Wilsons. Salisbury doesn't shy away from complexity. I mean, Billy's pretty straightforwardly super. Ditto Billy's family. But Tomi has his doubts and requisite crises of faith once in a while. And as for villains, Keet is marvelous. By the end of the book you begin to think that if someone doesn't give that punk a swift kick in the butt then you're going to have to do it personally. I did find that the oddest thing about reading this book without having so much as glanced at its predecessor was that I had very little idea of who belonged to what race. Billy's white and Tomi's of Japanese ancestry. Check. Got it. But how about their friends Mose and Rico? Are they Filipino? Of Hawaiian ancestry? It didn't much matter to the story, but it would have been nice to get a little clarification.
As a writer, Salisbury seems to be utterly in control of each and every scene in this book. Yes, it's a little long, but I can't imagine removing so much as a sentence. Everything fits here. The people. The events. And definitely the climax. The tension really escalates by the end of the book too. I kept finding myself nervously counting the number of pages left against how far our heroes were in their plans. I actually found myself hoping that Keet and his lackeys wouldn't show up and that maybe if I read fast enough I could beat them to the end. Not to give anything away, but no such luck. Salisbury's grasp of Hawaiian Pidjin is also superb. I've a friend born and raised in Honolulu (she attended Punahou, Keet's school in this book) who once told me that her mother would severely punish her if she ever heard her daughter utter casual Pidjin words or phrases. I wonder what her mom would have thought of the Glossary of terms in the back then.
Works of historical fiction tend to suffer from a dire fate: They're humorless. Dry dull titles without a spark of wit or whimsy to save their soul. I expected this of "House of the Red Fish", frankly. Somehow 280-some page tomes always look like they'll be deadly serious. How wrong I was. Salisbury's a great writer, yes. But he's so great partly because he lets, for lack of a better term, his boys be boys. When Keet decides to invade Billy's bomb shelter there a wonderful moment where the reader knows what Keet doesn't... that the shelter is chock full of nasty centipedes. Oh, that's good stuff. And the nice thing is that even when the plot is turning dire and our heroes have to raise this boat as soon as they can, characters still play jokes on one another, laugh, and have a good time. The fact that you're having a good time right alongside them just happens to be a nice bonus.
So the good news is that I'm a Graham Salisbury convert. The bad news is that I don't want to wait another twelve years to continue Tomi's story. I comfort myself with knowing that since kids today still read and love "Under the Blood-Red Sun", I'm sure they'll love both this book and any others that Salisbury happens to come out with in the course of his lifetime. It will be worth the wait.
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However, I have digressed, Steve's book is full of the wonder, magic, pain, and growth we experience in childhood and teen years that makes us who we are as adults. Our youth leaves an unmistakeable stamp on us that we carry, either as a source of pride or baggage it's our choice, and it's also something we have to come to terms with. Steve illustrates this extremely well in his book. Having grown up in southern New Hampshire not at all like Kansas, I felt the same kinship with Steve's writing I have found during many long nights with Steve himself. I also found myself mourning the end of the book because it left me with no more chapters to read and hoping for another book to come out as soon as possible. Steve's writing is refreshing, sad, and inspiring, I can't recommend this book enough. Long live the Minions and late nights at Surfside.